Jimster

Jimster

Cruffiton.etsy.com

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  • TAKE THAT SHIT TO THE-BRITS.COM

    It was a banger, no doubt.  At least it wasn't against City.  We've had enough of that nonsense from Rooney.

    My favourite one is Bale's, as it was in the CL final and also a nice FU to Real who would prefer he was playing golf.
    DOR
  • Claus Ogerman

    Electrode said:
     forgettable sex comedy... directed by some young guy named Francis Ford Coppola.

    Not the cream of some young guy then?  #waynesworld

    I also learned this week that Bill Evans has a son called Evan Evans who is in the movie scoring business and it's probably a bad idea to pedal anything on the piano if you want to be taken seriously #sustainisforquitters


    Electrode
  • Claus Ogerman

    If you know, you know.

    Been on a Claus bender for this week.  His catalog is staggering, and runs from "It's My Party (And I'll Cry If I Want To)" to Jobim, Sinatra, Creed Taylor of CTI ( ) and his own works like "Gate of Dreams".  The work with Oscar Peterson, Bill Evans and that 1967 Sinatra/Jobim Collabo is all fantastic. 

    One thing about him is that there is very little on him, other than his reputation in the industry.  He was not interested in fame.  But I found a great interview here which, if you are a music nerd, and I suspect you are, will be of interest.  He fled Poland as a child and ended up bezzie mates with Quincy Jones.

    https://jazzprofiles.blogspot.com/2018/03/claus-ogerman-reminder-of-finer-things.html

    "We fled overnight. My mother died during the expulsion. She couldn't make it, carrying the luggage. She was exhausted. She died, and we left her by the side of the road. We had to move on. I walked with my elder sister and one of my older brothers.

    We walked about 600 miles with luggage, and then we caught a train near Prague that brought us close to Bavaria, which luckily was occupied by the American Army. Then life sort of began again, but under unbelievable circumstances. My father found us eventually through the Red Cross. He'd been in a prison camp somewhere."






    klezmer electro-thug beatsGibboElectrodeketanDuderonomy
  • Web Hosting Services for Music website

    So GPT can't get to the bottom of Rabbits & Carrots vs. Phirpo y sus Caribes, or for that matter, Rasputin's Stash "Dookey Shoe" vs. "Mr. Cool"?

    I freely hold my hand up to ignorance of Rabbits & Carrots vs. Phirpo y sus Caribes, or for that matter, Rasputin's Stash "Dookey Shoe" vs. "Mr. Cool".

      


    Damn straight.

    That is why AI will nevarr replace t3h Strut.

     > Thriller.

    OTW has real soul, the tunes are better (RIP Rod Temperton, his best work here), this is Mike going to the club after the show and dancing to his own tunes with the regular crowd.  Win-Win.

    "Thriller" had EVH, epic videos and made it OK for black folks to be on white TV (it only took until 1982) but for me it's Mike hobnobbing and gladhanding McCartney backstage, doing deals to cut Greg Phillinganes, John Robinson, Louis Johnson and dem out of royalties.  Raas business.

    By then the money was so big, there was no stopping the cash tsunami.


    ketanklezmer electro-thug beatsbjonson974
  • Web Hosting Services for Music website

    While it's impossible for AI to offer a consensus or personal opinion, I can certainly provide a more in-depth exploration of the musical landscapes defined by Mandrill and War, as well as Fania and Discos Fuentes.

    Mandrill vs. War:

    Mandrill: Mandrill, formed in the late 1960s, is a band known for its rich fusion of funk, soul, jazz, and Latin influences. Their music often features a diverse range of instrumentation, intricate arrangements, and a sophisticated musical palette. The band's ability to seamlessly blend different genres has garnered them a dedicated fan base. "Fencewalk" and "Hang Loose" are standout tracks that showcase Mandrill's musical complexity and innovation.

    The eclectic nature of Mandrill's music allows listeners to experience a sonic journey that traverses various musical realms. Their ability to infuse Latin elements into their sound sets them apart and adds a layer of cultural richness to their music.

    War: War, formed around the same time as Mandrill, is a band that carved its niche by blending rock, funk, jazz, R&B, and Latin music. War is perhaps best known for its infectious grooves, socially conscious lyrics, and a distinctive musical style that resonates with a broad audience. Hits like "Low Rider," "Cisco Kid," and "Why Can't We Be Friends?" showcase War's ability to create music that is both danceable and thought-provoking.

    War's music often reflects the social and political climate of the times, making it more than just a collection of catchy tunes. The incorporation of Latin elements, such as percussion and rhythms, adds a unique flavor to their sound. The band's ability to create a cohesive and recognizable sound across different genres has contributed to their enduring popularity.

    Choosing Between Mandrill and War: Choosing between Mandrill and War ultimately comes down to personal preferences. If you appreciate a more experimental and intricate fusion of genres with a touch of Latin influence, Mandrill might be the band for you. On the other hand, if you lean towards infectious grooves, socially conscious lyrics, and a diverse yet cohesive sound, War could be more to your liking.

    Fania vs. Discos Fuentes:

    Fania: Fania Records played a pivotal role in shaping the landscape of salsa music. Founded in the early 1960s, Fania became a powerhouse for Latin music, especially salsa, during the late 1960s and 1970s. The label featured a roster of legendary artists, including Celia Cruz, Willie Colón, and Héctor Lavoe. Fania's impact on salsa music is immeasurable, contributing to the genre's global popularity.

    The Fania All-Stars, a group of musicians from various Fania bands, further solidified the label's influence by staging electrifying concerts and collaborations. Fania Records not only defined the sound of salsa but also contributed to the cultural identity of Latin music.

    Discos Fuentes: Discos Fuentes, based in Colombia, is another influential Latin American record label with a rich history. Founded in 1934, Discos Fuentes has played a crucial role in the development and promotion of various Latin music genres, including cumbia. The label has featured prominent artists like Joe Arroyo, Fruko y sus Tesos, and many others.

    Discos Fuentes' impact extends beyond Colombia, influencing the broader Latin American music scene. The label's commitment to showcasing diverse styles within the Latin music spectrum has made it a significant player in the industry.

    Choosing Between Fania and Discos Fuentes: Choosing between Fania and Discos Fuentes depends on your specific interest in Latin music genres. If you have a particular affinity for salsa and its various iterations, Fania Records would be the natural choice. The label's contribution to the salsa movement and its roster of legendary artists make it a cornerstone in the history of Latin music.

    On the other hand, if your musical preferences lean more towards Colombian music, cumbia, and a broader exploration of Latin American genres, Discos Fuentes might be more appealing. The label's longevity and commitment to showcasing a variety of styles within Latin music contribute to its significance in the cultural tapestry of the region.

    In conclusion, the choice between Mandrill and War, or Fania and Discos Fuentes, is subjective and depends on your musical tastes. Exploring the discographies of these artists and labels will provide a more nuanced understanding of the distinct flavors they bring to the world of music. Whether you're drawn to the intricate fusion of Mandrill or the infectious grooves of War, or if you're captivated by the salsa rhythms of Fania or the diverse Latin sounds of Discos Fuentes, both pairs offer rich and rewarding musical journeys.


    My 2p:  Mandrill & Fania

    Electrode