...and Moon Rappin and Gin & Orange are great albums too
Duff had his moments...I don't totally dislike the guy. "Can't Get Satisfied" (on Atlantic), "Hot Barbecue" (on Prestige), "Let My People Go" (on Cadet), the Blue Note version of "Theme From Electric Surfboard" and a few others are classics. But these are all songs I'm referring to, not albums, and for my money he came up short in that department. McGriff for sheer consistency.
Both indispensable, but I'd have to say that McDuff gets it for going all progressive late in the game. McGriff also did some good, funky stuff, but McDuff got further out.
Both indispensable, but I'd have to say that McDuff gets it for going all progressive late in the game. McGriff also did some good, funky stuff, but McDuff got further out.
Both indispensable, but I'd have to say that McDuff gets it for going all progressive late in the game. McGriff also did some good, funky stuff, but McDuff got further out.
F-16, what albums did McDuff get "far out" on? The most recent thing I remember seeing on him is some cheesy-looking LP he did for Sugarhill - the rap label - in the eighties. Seems like the Jazz Record Mart in Chicago had a bunch of those piling up by the door for a dollar a head, ten-fifteen years ago.
Both indispensable, but I'd have to say that McDuff gets it for going all progressive late in the game. McGriff also did some good, funky stuff, but McDuff got further out.
F-16, what albums did McDuff get "far out" on? The most recent thing I remember seeing on him is some cheesy-looking LP he did for Sugarhill - the rap label - in the eighties. Seems like the Jazz Record Mart in Chicago had a bunch of those piling up by the door for a dollar a head, ten-fifteen years ago.
(Good to have you back, BTW...)
I was thinking of his late 60s/early 70s stuff on Cadet and Blue Note. McGriff stayed stylistically current but never sounded to me like he was really "feeling" it. Some of the old school jazzers seemed out of place even as they tried to be funky.
I'm not saying that McGriff's funky stuff was wack (it wasn't) but rather that McDuff seemed a more natural fit.
I???m not saying that McGriff???s funky stuff was wack (it wasn???t) but rather that McDuff seemed a more natural fit.
I've said it before, and it's worth repeating now - Griff was good no matter where you put him or what label he was recording for or what year it was. The only time I thought he was really going through the motions was on his early seventies Groove Merchant albums. If the GM records were all we had to go by, then I'd be ranking him way below Duff...
Both indispensable, but I'd have to say that McDuff gets it for going all progressive late in the game. McGriff also did some good, funky stuff, but McDuff got further out.
F-16, what albums did McDuff get "far out" on? The most recent thing I remember seeing on him is some cheesy-looking LP he did for Sugarhill - the rap label - in the eighties. Seems like the Jazz Record Mart in Chicago had a bunch of those piling up by the door for a dollar a head, ten-fifteen years ago.
(Good to have you back, BTW...)
I like "Made in Sweden" off the Moon rappin' Lp for McDuff's experimental side. McDuff stretched out more often than McGriff with many 6-10 min tracks on the Moon Rappin', Heatin' Sytem, Magnetic Feel and Fourth Dimension LPs.
... Griff was good no matter where you put him or what label he was recording for or what year it was. ..
that's because he was an outstanding rhythm player... Jack was more of a soloist but I tend to agree that McD late 70's albums for Cadet are more rewarding than Jimmy stuff of the same years
I couldn't choose, either. Soul Sugar and Electric Funk Vs. Moon Rappin and Down Home Style? Dudes are filed side by side. Moon Rappin' is such sickness, Joe Dukes kicks it on that album.
i just thought about this real hard and i think the edge definitely has to go to McDuff. For one thing, he made the scene earlier and was more of a pioneer. He recorded great albums for Prestige, Atlantic, Blue Note, and Cadet. And that's not to mention his work with the young George Benson, which I will always have a soft spot for.
That said, McGriff definitely has a handful of awesome records that are staples of my collection. To rank him below Brother Jack is no slight on him. In the B3 hierarchy, there are very very very few people ranking above McDuff.
Lastly... while, in terms of overall career achievement, McDuff is pretty much the undeniable winner, both guys were definitely masters of their instrument and of the 'soul-jazz' style, and it would certainly be fair to say you prefer one's playing style over the other. Both are in the realm of mastery where it doesn't really make sense to argue who was a better organ player- it just comes down to personal preference. As for that, I would really have to sit down and listen hard to decide whose playing style I like better. man do i wish i had time to do that...
. In the B3 hierarchy, there are very very very few people ranking above McDuff. .
you mean JS? any others? (OK for this thread isn't it?)
yup, pretty much. couldn't think of anyone else.
Dude was doing things on the organ that NOBODY else was doing.
yep. he was was a proto fusion pioneer like Miles, only it was doubly wierd cos it was the organ - jumping from soul jazz to progressive seemingly in one step when most others were going the other way towards pop covers
When F16 mentioned McDuff going on avant-garde tangents, Larry Young was the first name I thought of. I'm surprised more organists didn't follow his lead.
Comments
... you can't dis the albums he cut for atlantic
...and Moon Rappin and Gin & Orange are great albums too
Can't call it - they both have too many excellent cuts, none of which I can do without - its toe to toe
as for Mcgruff, ...
!
Duff had his moments...I don't totally dislike the guy. "Can't Get Satisfied" (on Atlantic), "Hot Barbecue" (on Prestige), "Let My People Go" (on Cadet), the Blue Note version of "Theme From Electric Surfboard" and a few others are classics. But these are all songs I'm referring to, not albums, and for my money he came up short in that department. McGriff for sheer consistency.
Chicago, IL
60652
:real_headz:
F-16, what albums did McDuff get "far out" on? The most recent thing I remember seeing on him is some cheesy-looking LP he did for Sugarhill - the rap label - in the eighties. Seems like the Jazz Record Mart in Chicago had a bunch of those piling up by the door for a dollar a head, ten-fifteen years ago.
(Good to have you back, BTW...)
Flip That over!
I was thinking of his late 60s/early 70s stuff on Cadet and Blue Note. McGriff stayed stylistically current but never sounded to me like he was really "feeling" it. Some of the old school jazzers seemed out of place even as they tried to be funky.
I'm not saying that McGriff's funky stuff was wack (it wasn't) but rather that McDuff seemed a more natural fit.
b/w
Good to be back.
I've said it before, and it's worth repeating now - Griff was good no matter where you put him or what label he was recording for or what year it was. The only time I thought he was really going through the motions was on his early seventies Groove Merchant albums. If the GM records were all we had to go by, then I'd be ranking him way below Duff...
I like "Made in Sweden" off the Moon rappin' Lp for McDuff's experimental side. McDuff stretched out more often than McGriff with many 6-10 min tracks on the Moon Rappin', Heatin' Sytem, Magnetic Feel and Fourth Dimension LPs.
a nice exception (poor sound):
that's because he was an outstanding rhythm player... Jack was more of a soloist but I tend to agree that McD late 70's albums for Cadet are more rewarding than Jimmy stuff of the same years
That said, McGriff definitely has a handful of awesome records that are staples of my collection. To rank him below Brother Jack is no slight on him. In the B3 hierarchy, there are very very very few people ranking above McDuff.
Lastly... while, in terms of overall career achievement, McDuff is pretty much the undeniable winner, both guys were definitely masters of their instrument and of the 'soul-jazz' style, and it would certainly be fair to say you prefer one's playing style over the other. Both are in the realm of mastery where it doesn't really make sense to argue who was a better organ player- it just comes down to personal preference. As for that, I would really have to sit down and listen hard to decide whose playing style I like better. man do i wish i had time to do that...
you mean JS? any others? (OK for this thread isn't it?)
yup, pretty much. couldn't think of anyone else.
Dude was doing things on the organ that NOBODY else was doing.
yep. he was was a proto fusion pioneer like Miles, only it was doubly wierd cos it was the organ - jumping from soul jazz to progressive seemingly in one step when most others were going the other way towards pop covers