Design Heads
maru
1,450 Posts
if this isn't i don't know what iskid's only 22 toohttp://www.electricheat.org/
Comments
SKILLLLLLLLLLLLLLLLLLLLLS.
With all that said, yeah I think hes got skills, but I'm ready for somthing new.
http://www.justheat.org/
i like this dudes way of approaching things.
stefan sagmeister
there's a huge difference between simply throwing a bunch of random shit together and organizing a group of images into a well thought out collage with excellent movement, space usage, and color choices. electric nigel excels at the latter.
precisely. dude has pretty much developed his own signature style. when other designers start doing similar work he will be referenced. that's when you know you're
I totally agree. However either way, there is A LOT of stuff going on. Sensory overload, maybe Im just getting old.
I am a fan of minimalism, but that is not why I dont like it. Actually, I do like it, but Its just that I've seen it before (many many many times). I agree with spaceghost, its becoming a formula.
Look at Tokion magazine. Not saying that they are a good source for design, but they have played this style to death for years.
I agree, but sometimes I love it alot. A collage head I'm feeling at the moment is Armando Br??s.
http://www.stealingorchestra.com/armandoartwork.htm
- spidey
isn't that a bit like saying crab must taste great because krab exists? seems to me the crab needs to taste good in the first place.
the crab in question here tastes like someone pulled up a boot.
this happens in every form of art - music, movies, tv, fashion, etc. someone comes along and breaks a barrier, 2 or 3 people expand on it and set the precedent, then 500 people jump to try and reach that bar. it's the same reason 99% of people can't tell the difference between 99% of the songs on the radio, the same reason why there are 500 shitty "urban" t-shirt companies, the same reason why there are 500 shitty reality shows on tv right now, etc.
in the meantime, dude is super talented and, in my eyes, he seems to have set himself apart and developed a pretty fresh style. i've seen some more varying work from him over the last couple of years, so i know he's no one trick pony, but people seem to be coming to him asking for this particular style, so fuggit, why not do it as blown out and thoroughly as possible?
Awesome
I gotta go with Spaceghost on this one. He's got talent but this style has been done to death, and it may be that I have just seen a bunch of his stuff around, but honestly there are a few pieces in their that are nice, but the rest are zzzzzzzzzzz... I don't see how what he is doing is game changing? I ahve seen similar styles from 70s/80s record albums that are just as nice if not nicer and done without computers nah mean? Plus some of this stuff looks a bit sloppy with the collages. Impressive because of the amount of time that went in though.
Talented. yes.
Ahead of the game? nah.
at least to my knowledge. chuck started doing this style first, and he's 19!
www.nopattern.com
www.thebrilliance.com
they are actually homies, so i wouldnt go as far to say that nigel bit chucks style...and i wouldnt even say they have similar styles all that much...
this is my backyard, folks.
wild shit.
i'm trying to recall if I ever met this kid. 6 months apart...
I feel you on that but, regardless, you gotta admit he has talent. I wish I had his skills.
this is just greg crudson the photographer. Im proabbly spelling his name al wrong.
yes!
http://www.designgraphik.com
http://www.brandnewschool.com
http://www.artnet.com/ag/fineartthumbnails.asp?aid=4589
You mean Gregory Crewdson?
AMEN
Thats the ticket. Im thinking about his earlier shiz tho, the pastoral scenes with tons of flowers and dead rabbits and crap.
in the words of my old typography teacher Ludwig (spkoen with a heaven deutsch accent)
"when i was in school in east germany, we did not have these COMPUTERS you so want to use today. No when we first started we were only aloud to do work in pencil. After 6 months of we were given quills and taught caligraphy for a year. Only after that were we aloud to use a PEN. Before you run you must learn to walk... but before we walk we must CRAWL"
Every printmaking teacher Ive ever seen has been like that. Mine used to talk for an hour straight about how you measure the weights of different paper and other similar things. It took us a whole semester to get through serifs. the worst part was that his speaches came out of nowhere and were never planned. The best teacher I ever had tho.
we never touched a computer all term, everything was done by hand and if you were off he made you start all over again.
needless to say this was the only design course i ever took.