Discogs - Heaven or Hell?
Yemsky
711 Posts
There are many websites offering discographies for certain genres or specific artist and they sometimes go into great details... .. but are overall limited in scope. One of the most comprehensive sites though is probably www.discogs.com which I am sure you all know. I've looked at it time and again over the years when I was searching for something - after all you often get a hit for the Discogs entry when you google a title. It's only been a couple of weeks though since I realised that Discogs might be a better way to catalogue my collection than the Excel and MS Access databases I had created for myself over the years. For releases you have which are already in Discogs you simply click on "Add To Collection" (which is very fast and convenient) and for those you don't have, you do some work and at the same time help the community. So I started to actually contribute recently and realised that it's a little bit time consuming if you want to do it properly (listing individual musicians for individual tracks etc.) and that it can be frustrating at times as a lot of genres and sub-genres are missing so that categorization badly suffers.However, once I started, the biggest surprise for me was how big the gaps in Discogs still are. There are sooo many items which many other people must own as well which are not yet in the database. After going through only the first box of 50 odd CDs I feel that there is no way I will ever find the time to do add all that's missing in an attempt to get all my music catalogued. I dread I might be wasting my time unless many more people contribute to this community.So, my curious question to all the freakish collectors here: Are you contributing to Discogs? And if you decided not to, I am curious to here why not.
Comments
I find it counter-productive to their long-term aims. Wikipedia isn't perfect but they have a far more open system for editing and adding. I wish discogs would learn to loosen the fuck up a bit.
Certain cassette tapes and 7"'s don't belong there though.
i wanted to submit stuff there, but lost the interest once they kicked my releases out because the track length i submitted was incorrect.
Yeah, right? It's kind of crazy how nit-picky they get. That's exactly why I think they need a more wiki-structured system, that would allow for anyone to edit and thus, hopefully, correct mistakes, rather than enforcing it from the top, down.
How did you get them on the database in the first place if they were considered incorrect by Discogs standards?
I have successfully submitted some images to existing entries getting two positive moderator votes for my submission fairly quickly.
But as far as adding artist information and or even new releases is concerned, I am not sure whether I am wasting my time: I have typed up and submitted 55 releases and they are all pending moderator votes, in the worst case now for two weeks...
i dont contribute, but i use it to make playlists on my ipod. i make producer and artist playlists.i got a rza/wu playlist, pete rock, premo, kanye, timbo, hi-tek, the neptunes, etc.
its a great way to organize your shit. good resource resource.
Yeah, I'm definitely not knocking its usefulness as a resource. I'm just expressing the wish that they'd make contributing easier. For example, I'd love to fill in all their blanks on Joe Bataan's discography but it's such a slog that it's really not worth the trouble.
I do not want to knock the site at all as it provides a great service and is really pretty comprehensive, but the moderators organization methods have some major bugs which need addressing.
Anyone else been put through the ringer with these folks?
I use discogs for what it is worth, a lot of data is there. Definitely enough data to see what I want to know.
But, I say approach Discogs with caution. I also designed a MS Access database, for fun! But, the value I gained from the Access database was in it's construction; the framework. I don't know if I will actually digitize my data unless I start to sell out. Fortunately, I don't think I will have to do that.
Now, consider this question, "how do you do your research?"
I wouldn't want my friends to get burned out on discogs. Likewise, I wouldn't want my friends to get burned out by garage band.
But, you are free to do what you want to do. This world is a changing place and people can't control the planet. The planet wiped out dinosaurs with no remorse...say'n.
My advice to the hesitant would be to post up a skeleton (artist, title, label & cat. no., genre, tracks) and let other folks fill in the rest. Seems like it's a community effort these days.
randomly browsing through album credits there >>>> *
definitely H e a v e n
they have all types of rules there whether it's regarding how to specify the face of a record (strictly letters A,B,... even when it's not written that way on the record) or formats (difference between a 12'' 33rpm and a LP and yada yada yada)
it's exhausting
I look stuff up on discogs. They can't be beat for 12" single information.
BothSidesNow.com is a good rockist discog site, categorized by labels.
I think most of the info was compiled before the internet existed.
BothSidesNow was originally a collector/seller who was obsessed with getting stereo versions of rock songs. (If I remember correctly.)
hush
i have submitted about 2500 records, only the stuff i need to sell which wasnt listed...if you dont put in all the credits just the tracklist its really easy..
but its true that some moderators are
but its like that you can edit any release and add info if you want
an easy way to make a new entry is just copy another relase from the same artist on the same label then its almost correct already you just change titles and cat. nr.
pussies
ah hah -- good to know!!!
And I've had some great scores on discogs over the last year. Can't even think of them all now but the one that stands out was the 20 pound OG copy of Skull Snaps I scored.
although i do enjoy having an argument about myself in the third person with some nutter in poland. (/postmodern )
haha - classic. at least you're getting entertained out of it.
Well, the discogs nazis actually cast a light and let me out of the dog house -- I'm no longer on the "contributor improvement program". I did my hours and went to my meetings and remained humble, looks like I can now enter data with the rest and best of em.
With all do respect...
You enter the data and they do the data analysis, that is why they don't want any errors. Once you digitized the local data you and your location are dispensable... obsolete in other words.
I guess you can kiss your next gig goodbye.