klezmer electro-thug beats
klezmer electro-thug beats
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From a distance, it's funny to watch developments and think about stuff like, who is going to actually step up and run alongside trump as a VP? Aside from "drunk incoherent aunt at barbeque" Sarah Palin I guess. That'd be funny.
But really, my more serious view has been that there is definitely a level of unrest we haven't seen in several generations. I'm not talking about the '60s either but the '30s. I'm American, so I've been following Trump's rise, but for example, here in the UK the "Leave the EU" campaign is winning polls based on literally zero positive offerings. What they are campaigning on is "excessive" immigration in this 92+% native-born white country, xenophobia against Turks and Ukranians joining the EU (because it was so bad when Poles, Romanians and whoever else already came, sigh), taking back the ability of the UK government to abolish the Human Rights Act, and other totally odious, dim, narrow-minded nationalism that hasn't taken hold in the western world since the 1930s. Austria nearly elected basically a '30s style fascist a couple weeks ago in an election almost too close to call, Greece has a rising Nazi party (not even Neo-Nazi), Hungary's third largest party is an irredentist ultranationalist racist party, France is coming close to a X vs. National Front runoff next election...
While it all manifests slightly differently in the US, I feel it must come from the same root causes. Trump offers national pride to people who have nothing else to be proud of. Much like other hard-right movements (men's rights advocates, white supremacists, etc.) I think it's people whose sole source of self-worth now derives from clinging to irrational superiority through racism, sexism, or in Trump's case, mostly nationalism (with some of everything else in there too), because every other more concrete source of self-worth has been taken from them: economic self-determination, social mobility, community support and involvement, stability, health.
So, ironically, capitalism and neoliberalism has won so soundly in these countries that they've actually progressed backwards in time and destabilized again. If I was a hard core fan of capitalism, I'd be looking for ways to moderate it, reduce inequality, etc. very quickly because it is going to eat itself with this shit. That's why you see the IMF putting out research saying "jesus, we really screwed up with this austerity stuff, it's actually made things worse just like the leftists said it would". They see they've misbehaved so freely that they've created the conditions for another rise of fascism, nationalism, maybe even world wars.
So while Trump is a clown we can all hope will lose - and will, if enough people turn out to vote - maybe next week the UK is going to vote to leave the EU and destabilize the fuck out of that situation, maybe hard-right governments are going to be elected in quite a few European countries, including parties who want to invade neighboring countries because of lingering ethnic reasons... maybe next time a version of Trump who isn't a total clown will run and win. There's a lot to fight for and not just sit back and watch now, at any rate.
With Clyde, among the obvious Funky Drummer sample-inspiring-a-whole-genre stuff, and the killer recordings of Cold Sweat, Mother Popcorn etc., the thing that sticks out for me (as a shitty drummer who obsessed since age 12 over him, Bernard Purdie, etc.) was the 90s released live CD of James Brown live in Dallas 1968, "Say It Live And Loud".
They play what seems like 130-160bpm for the whole goddamn concert. There's an unbelievable version of "There Was A Time" on this that will make you drop a enchirito out of your crackass, in the words of ap. The ghost notes on that still give me wrist pain and I don't even come close. Every non-ballad is played so furiously and with so much snare grace-note depth it damn near presages 90s jungle/dnb records. Put that concert on and listen to "I Got The Feeling". I am not a James Brown completist but I haven't heard anything like that before or since. That is an overheating band and some unbelievable drumming driving it all.
In particular "There Was A Time" on that concert has driven my own feeble attempts at drumming way more than Funky Drummer or any of the famous Stubblefield recordings. The man is a personal hero for me and an enemy of my left wrist.
The late Mr. Stubblefield, ghost-noting a runaway train with his left hand:
Congratulations Raj. The 20 year website club, I can't think of many others. You and SomethingAwful and Google and Amazon.
My memory number 1 was being the teenage little dude looking up "funk music" on altavista or some shit and discovering you could download mixes of music that wasn't on the radio... I wish I could remember more but the one that always sticks out to me is the "Rockin' With Seka" porn OST mix. I think that was a Raj mix maybe from before other DJs were posting any? '99?
Number 2 was realizing, later into my teens, that my favorite college radio DJ (I had since discovered non-top-40 radio), in fact several of my favorites, were all posting in the same place I'd just been visiting for the flamewars and/or small tastes of the boundless music knowledge I'd never fully possess. Like, Matthew Africa, Dollar Bin, etc. Oddly enough I did end up meeting both those guys in brief stints at their respective stations but I didn't geek out over having lurked the Strut. The mid 2000s were not a time for recognizing somebody from the internet and saying "I know you from the internet". I didn't really know him personally but I still miss Matthew - his show, his podcast with Serg.
But reading SS at this time was like inside baseball for me. This was a time when I was obsessively taping off the radio, not just when something good came on, but also making, basically, pause-button collages and mixes using live radio as the sample source. I would stay up late making these damn things and getting to know the schedules of the Bay Area stations. But it was still a time of absolute musical mystery for me. The main way I found new stuff to dig for was somebody would play a track on the radio, I'd miss the back announce and I'd never find it. Or I'd hear it and never be able to find the damn album.
So stuff like the original Salma Hayeking of Monty Stark was mindblowing to someone who'd otherwise just hear like an absolute basic, like, Ohio Players song or something and lose my shit trying to figure out who it was. Especially when I didn't know anyone else who was at all into what I was into. The number of bands I've started first, and then sheer force-of-willed into my genres later, now stands at 3.
Heatrocks for Katrina was a special moment, edpowers "fuck the previous dj..." post, the anal-fixation of ap, the "record days" where I'd discover loads of stuff in one day that I'd only see discussed otherwise, the one time HarveyCanal seriously claimed that Juvenile's "Slow Motion" was the single greatest song of the 21st century, supertoaster/poaster, there are loads of moments, but I think it's worth bringing up the current day too.
We're fast reaching a point where everybody is starting to see the facebook-insta-twitter nexus for what they are, data mining operations and surveillance for the most banal and stupid of reasons - advertising - and the incredible detrimental psychic side effects of mass social media networks. It's not to say these things don't have their place and positive purposes. But I was wondering the other day why I still check forums and I think the format of a BBS, while still totally capable of driving somebody mad, by nature can never, say, drive an entire generation of over-65s mad the way facebook minion memes and Fox have destroyed the minds of millions. The sooner we realize that anything posted on facebook, video or text, is to be treated with the same trust as any trash from 4chan or whatever, the better. I don't know that forums will have some kind of rebirth after people realize that, but the status quo won't last and I really think it's healthier for me to check a few topics on a few boards than scroll forever through 40% commercial messages. I hope I'm not the only one.
If you, like me, are okay with non-guitar types of shred, here's a shredder that's not contemplated making this my organ burner for today but it's not just organy, a lot going on.
I don't get it, it's a fun funk-rock record produced by Malcolm Catto and these youtubes of the album have like 50 views. I hope the LP is moving more.
Juan Torres intimidates me due to the 8 million albums he cut, James Last style, but that track is cool - dramatic bombast that reminds me of breakbeat legendary Angeles Negros "El Rey Y Yo".
And from my many Euroman-library-hammond-joint postings you know I'm into jet-set Euro spy movies from the late 60s. Will have to chase that one down.
I think it's cool that on a forum that only gets a few people posting each day shit like this still gets a nearly instant answer.