Hey man, I think it's John Heard on bass. That's a great album, and 'Saudade' is amazing too. Harvey Mason on drums too - my favourite of all time; you can hear it's him just from 'The Mirror's Mirror', the timbre of his cymbals - what a musician...
crabmongerfunk said:
can anyone tell me who that is on bass (it sounds like ron carter but this was a west coast session so...)
"the mirror's mirror"
HarveyCanal"a distraction from my main thesis." 13,234 Posts
Great selection of music in this thread so far. Someone compile them all in a mix.
DocMcCoy"Go and laugh in your own country!" 5,917 Posts
Some of you are going to hate this.
Generally, I have mixed feelings about Shirley Bassey's signature brand of uber-diva theatricality. Most of the time, it's ridiculously overblown Vegas camp of a fairly predictable stripe, but in the right context, it can work. This song is absolutely my favourite vocal performance of hers. There's just the right balance between the kind of chilly melancholy the song calls for, and the sort of "I can't go on, I must go on" melodrama she can probably summon up with her eyes closed.
What sends it into the realm of the divine for me is the arrangement and the production. Essentially, it's Johnny Harris doing the prog-MOR thing he later expanded upon on "Movements" and "All To Bring You Morning" - shimmering, high-register strings, quietLOUDquiet shifts in dynamics, and a kind of epic widescreen soundtrack-y vibe to the whole thing. But the key to it here is the rhythm section - I dunno if it's the Herbie Flowers/Harold Fisher pairing Harris used on most of "Movements" or if it is indeed Pete Gavin and Chas Hodges from HH&F as the guy who posted the clip seems to think. Either way, that shit is jamming pretty hard, and the combination of that and all the other elements take the song off to somewhere that music doesn't seem too interested in going anymore. I love it all the same, though. Rest of the album ain't too bad either.
It's not very rare and probably not even unacknowledged but I can't for the life of me understand why I'm the only guy who swoons at this song. Yes it's the Emeralds doing their best Impressions, eh, impression, but the combination of that single guitar line, the falsetto male harmonies and the unhurried feel of the whole song as it slowly builds to the finish means I could loop this for hours at a time without ever growing tired of it's beauty.
Comments
Unfortunately not the whole song...but you get the idea.
"the mirror's mirror"
for the french speakers
Wow -- I never realized that Bernard Wright was covering this. Disconnected.
Also this tune raises the hairs on arms every time I listen to it.
I break the initial rule of posting one track only by posting another track only.
Stan Tracey Starless and Bible Black w/ Bobby Wellins
I never get tired of this tune. Properly amazing.
Generally, I have mixed feelings about Shirley Bassey's signature brand of uber-diva theatricality. Most of the time, it's ridiculously overblown Vegas camp of a fairly predictable stripe, but in the right context, it can work. This song is absolutely my favourite vocal performance of hers. There's just the right balance between the kind of chilly melancholy the song calls for, and the sort of "I can't go on, I must go on" melodrama she can probably summon up with her eyes closed.
What sends it into the realm of the divine for me is the arrangement and the production. Essentially, it's Johnny Harris doing the prog-MOR thing he later expanded upon on "Movements" and "All To Bring You Morning" - shimmering, high-register strings, quietLOUDquiet shifts in dynamics, and a kind of epic widescreen soundtrack-y vibe to the whole thing. But the key to it here is the rhythm section - I dunno if it's the Herbie Flowers/Harold Fisher pairing Harris used on most of "Movements" or if it is indeed Pete Gavin and Chas Hodges from HH&F as the guy who posted the clip seems to think. Either way, that shit is jamming pretty hard, and the combination of that and all the other elements take the song off to somewhere that music doesn't seem too interested in going anymore. I love it all the same, though. Rest of the album ain't too bad either.
This is the only album of hers that I can listen to, and I pretty much put it down to Johnny Harris' arrangements, too.
That version of "Light My Fire" still works.
love this tune. wanted to post henry franklin's "eric's tune" off of tribal dance but it's nowhere to be found on youtube.