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and Bam, I DLed Antony five minutes after reading your post and have been listening to it, it's GREAT. The first song on that album is absolutely fantastic
and Bam, I DLed Antony five minutes after reading your post and have been listening to it, it's GREAT.
No chronological order, I'm just listing them as they came to mind:1) Blue Break BeatsI know this compilation probably looks quaint now...a collection of jazz-funk tunes from the Blue Note catalog marketed towards the hip-hop generation. One summer I was working in a record store where all my coworkers were bigger jazz and hip-hop fans than me. Both of those musics were played constantly (and sold the most). I never got it with the hip-hop, but one day somebody played this comp and something clicked. Prior to this, I never really "got it" with jazz, either...it seemed too aimless and deliberate and without a center. Like something I was SUPPOSED to like, but somehow never got the hang of. I thought jazz-funk was even worse, because it was neither here nor there...just some older cats trying to make some money w/third-rate Kool & the Gang covers. And it wasn't like it was my first time hearing this CD, either. But because I'd just started getting into early-'70s funk by bands like Black Heat and Charles Wright's Watts Band, jazz-funk sorta started making sense. And I eventually made my way to liking real jazz that WASN'T funky. I'm still not the BIGGEST fan of that music, but I own more jazz records now than I did before the summer of '93. And, yes, they got played...2) Moby GrapeAnother one from that same summer...I'd just graduated from college, but hadn't gotten that Great Journalism Gig In The Sky that I was looking for...I was also trying to avoid a recent ex who I'd seen walking around with her new boyfriend (not that she was checking for me!)...I had just discovered the first Moby Grape elpee, and that was how I got through the rest of the year. I was a huge fan of 1960's garage-rock (more on this later)...although Moby Grape weren't garage, they are revered by fans of that music because they weren't a "jam band" like the other groups from San Francisco ca. 1967-70; you could slip "Omaha" in a set with the bands on the Nuggets anthology and it wouldn't sound out of place...we had two copies of their first LP at the store (WITHOUT the guy flipping off the camera on the cover) and I snagged one for myself...another one I didn't get right off, but when I did, I hunted down every last Grape album that existed(people forget that Moby Grape were popular in their day, and between that and being on Columbia and Reprise, their elpees weren't that hard to find...I don't know about now, but in the '90s I still saw their records floating around for under $9).3) The Jackson Five - Looking Through The WindowsMy first record ever (not counting a couple of kiddie records), which I got as a childhood birthday gift. I never really got into children's music when I was a child (never mind that the two youngest members of the J5 were practically kids themselves)...I'd go to friends' houses to play, and I'd be entranced by the soul sounds that their teenaged brothers and sisters would be playing, the stuff I saw and heard on Soul Train. When I found out (last week!) that Ebony and Jet started archiving old issues on the Net, the early-seventies issues took me back to that time. This is what got me started...4) MC 5 - Kick Out The Jams5) Flamin' Groovies - FlamingoWhen I was in junior high in the early eighties, I thought these albums WERE punk-rock! And it turns out I wasn't far off-base...I had gotten bored with soul music around this time, because the disco thing kinda smoothed everything out. I turned to rock because it represented FREEDOM, to me at that age...plus, the rock and rollers looked like they were having FUN, which I did not get from the current soul scene. I'd see Chic on Soul Train in their impeccably pressed suits and skirts, lookin' all cosmopolitan and precious...but then I'd open a rock magazine and I'd see Mick Jagger or David Johansen just cuttin' up for the cameras like they were on holiday! I'm like, "F*ck this disco shit, I gotta get over to the ROCK side!" Now the next question is: how would a young black kid in South Chicago know enough to buy records by the MC 5 and the Flamin' Groovies ten years after they came out? Well, back then I devoured all sorts of rock magazines - Musican and Trouser Press were faves, but I was really into Creem, that was the one I followed every month. And around this time, punk and new wave were coming on strong and I liked what I'd heard. The MC 5 and the Groovies were always being played up as bands who were "punk before it was called punk"...I saw the MC 5's album for maybe $3 in a comic book shop, bought it, and played it constantly...saw the Flamin' Groovies elpee in a Goldblatt's bargain bin, bought it, and now I know that album as well as my family (or the back of my hand). All based on what some rock critics said!!! Believe it or not, back then I did know a few black folks who were into rock, but they mainly knew about what was played on the radio, like the Police and Genesis, both of whom I liked back then (not so much now). On the other hand, relative obscurities like the MC 5 and the Flamin' Groovies was stuff I shared with me, myself and I - didn't meet anybody else into their stuff until college...
I offer: 25 HAIKU for 25 LPs[/b]
"A belly full of empty and a pocket full of dreams..."
Bad Brains "i against i"Various artist "the Blasting concept"There was this little record store in Memphis in the 80s that was the only place you could buy punk records. Although I wasnt into punk music at the time, I noticed a very familiar logo on the back of these 2 records, the logo I had seen in those weird little ads in the back of Circus...SST. I buy these. I love em, even though they arent metal. I am particularly intrigued by this one band on the comps, Husker Du. The guitars were loud, like I like em, but the subject matter isnt metal, they dont look like rock dudes and the singing is melodic and poppy. I have never heard anything like this before. I need more.
7. Bone Thugs n Harmony: E 1999 Eternal[/b]This was my schitt in the 8th grade.
23. John Coltrane ??? Africa Brass ??? I mean, what the hell do you even say about this album.
- ali farka toure - red. so otherworldly, yet so familiar. the crackling gourd-drum and the relentless fluidity of the guitar were just too epic to stand. and then the vocals came in. i remember thinking this music must have come from a very real place. it did.
it's hard to do these lists. I'm thinking of other albums that i should have in there already.
listening to it, rewinding it and playing it again, rewinding it and playing it again, rewinding it and playing it again....
I feel like I almost have too many records now, I am not really capable of listening to the same thing over and over anymore, but I used to play the shit out of a new tape or my favorite song of the moment. Now I play an LP once or twice and refile it and pull something else.
also i want to see faux_rillz, hcrink deej brian and reynaldo lists