I Swore I'd Not Go ECM
Sun_Fortune
1,374 Posts
True story:I was working on a beat last night and I needed to add another layer to it. I accidently glance over at the ECM bin and I'm pissed. I know there's an isloated bowed electric guitar moment on this Terje Rypdal record that I could use so easily. But I swore I'd not go ECM. Why? Because it sounds cheesy, and becasue I used to use those records as a crutch when I needed a quick sound. Anyone ever set artificial limits on yourself? I remember I played my first beat tape to this semi established dude a long time ago. He said to make a rule not to use flutes or piano. It seemed kind of like wisdom at the time. Maybe I just need to challenge myself or maybe the unbroken whole of music is too overwhelming. I have no clue if setting limits has helped. Anyone else do similar neurotic/narcissitic shit?
Comments
I don't make beats, but fuck a rule. No flute or piano, now I can see where using them too much would be a problem, but not using them at all seems very limiting. Just do what sounds good.
Less a rule than a guideline. No I dont think rules are useful in any type of creative endeavor. But I think that maybe setting up challenges for yourself is good. Its all just an exercise anyway and the challenges keep me interested. But enough about me...
Boring incosequential posts = the wave of the future.
=
"I dont play electric. I simply do not."
From a Down Beat article ca. '74-76: "I do not wish to deal with electronic instruments."
Herbie said the same thing.
But hey, it worked out pretty well for em didn't it??
stop right there.
maybe your gut instinct to not sample from ecm was right.
i say go with your gut.
I do set artificial limits, but I usually end up breaking them, anyway. The point of the limit is to force creativity and all that, to challenge yourself like you said, but sometimes breaking that rule will result in something really dope.
No flutes or piano? Damn! I freakin' love flute jernts.
i made a rule not to ever use drums in my beats
whenever i hear a beat with drums in it, i laugh to myself, secure in the knowledge that it is wack.
I once made a track all from ECM (with the exception of the drums in block 1 and bells you all know!) Track???s over a year old, don't think I've used ECM since? I had a soft spot for Terje's guitar tone/style for a while. Edward Vesala 'SATU' is lovely (I use to label it 'Kind of Blue' for the weirdo???s). Any ridicule/advice about track is welcome.
LINK HERE
Kinde Thoughts, alphabethead
I don't know if setting limits really helps, but I know alot of producers have their own rules. I once made a beat with a friend and I had planned to use a Funkadelic guitar lick and he was like 'oh non I swear I would never use a Clinton sample'. I'm sure he's not the only one who refuse to use James Brown or George Clinton samples because they're too common. A lot of producers don't want to use a sample that has already been flipped, or others would never use the same drums in two different songs. And I have this other friend who's golden rule is : never have two identical bars in a song.
Those are the kind of limit that push them to work more, and the good thing about it is that no one care when they break their own rules
and such?
? or ? you be the judge.
He played electric piano on Freddie Hubbard's Sky Dive, right?