Art blakely was 28 dollars but I was happy to spend it. So many dope samples are attached to a turd of a tune but chant for bu is great the whole way through.
billbradleyYou want BBQ sauce? Get the fuck out of my house. 2,914 Posts
A few highlights from my weekend trip to New Orleans.
and some unplayed stock copies of some NOLA modern soul/boogie 7"
billbradleyYou want BBQ sauce? Get the fuck out of my house. 2,914 Posts
Some videos to go along with a few of the recent finds
I don't know about it being one of the best 50 jazz albums of all time, but it's of the avant-garde, creeping insanity variety (similar to the Mark Nauseef and Art Ensemble Of Chicago's "Paris Sessions"), a sound which I have been taking a liking to. There is a live TV performance of "1, 2, Albert Ayler". The woman is Julie Tippetts (credited as "ex-Julie Driscoll" on the back!)
Speaking of 'scogs lists, Robert Fripp's "Exposure" and AEOC's "Fanfare For The Warrior" both made the "100 Records That Set The World On Fire (While No One Was Listening)" cut, as did SME's "Karyobin", their record from three years prior to "Birds Of A Feather".
I'm a fan of these Freedom, Jazzlore, Affinity, etc. LPs as an alternative to the more expensive, yet only slightly older, original press counterparts.
billbradleyYou want BBQ sauce? Get the fuck out of my house. 2,914 Posts
Osmosis is psych rock from Boston, fronted by Charlie Mariano. Robin Kenyatta is solid jazz fusion with Wolfgang Dauner on the clavinet. Melinda soundtrack is a minty DJ promo copy.
If we're doing "mailbox" finds... A few recent 45s from We Jazz records in Finland and a mixtape from Funk Night in Detroit - they threw in a test pressing of some new shit I've never heard of, it's good! Not on discogs yet. I guess they noticed I've bought from them before a few times.
And the Whitefield Brothers is nice to have on 45 as it's a song my band actually did live when I was in one.
billbradleyYou want BBQ sauce? Get the fuck out of my house. 2,914 Posts
A lot of the boogie records I buy aren't available in Austin so I have no choice to mail order them if I want a copy.
did not do RSD but was on my local's website soon after and ended up picking up this Zombies 7" from 2017 for cheap - it has the cello version of A Rose for Emily. Also grabbed this 7" by Ty Segall/Chad & The Meatbodies - both sides are great: https://famousclass.bandcamp.com/album/lamc-7
Nice. I saw Ty Segall & The Freedom Band play at the nearby Zebulon two years ago. Check out his live-streamed solo set there from last year. Both are on YouTube.
I didn't do so well on a night fishing trip last Saturday, but I found these at a couple of quick stops on the way there.
Zeublon is such a small space - I got to see Meg Baird there a while back and it was, like, magical. Ty Segall must have been LOUD! I'll check the yootoobs.
Oh, yeah, it was loud. Here is the show I was referring to:
"Talk To The People" is a much needed upgrade from a VG- copy I already have. It's a part of his "Invitation To Openness" and "Layers" period where he goes all out with the Rhodes and clavinet. However, while those two are all instrumental, this is his "What's Going On"-style soul record. It's best known for "North Carolina" (below) and the beautiful version of the Marvin tune. Both of which have live versions on his Montreux '72 double LP, by the way.
Here's some selections from the Unspoken Word:
Here's the Charles Bobo Shaw, which is actually a '81 Muse print of his much rarer "Çonceré Ntasiah".
There is an unwritten law that all fusion is good. Until the soloing starts.
that's deep, man
I was always aghast at most soloing, but then I changed my mindset and imagined it as chord surfing, and got an idea of them taking like, rad angles against the wave and such. So you have folks who are like, at one with the wave, and have their hand in the wall, then you have people with the back of the board through the wave, and then people who are really against the grain and then flip off the wave into a barelling endless flight dismount.
And everything in between.
But yeah, there are some solos you just want the wave to wipeout deep into Neptune's briny realm and pin the musician into spiny corals, over and over, perhaps ripping their faces off or getting devoured by sharks.
You just sent me on a fun neal creque solo rabbit hole... I was vaguely aware he played on a lot of Pucho records but never paid him much mind. Not bad!
Comments
and some unplayed stock copies of some NOLA modern soul/boogie 7"
“TOP 50 JAZZ RECORDS OF ALL TIME ! There is already a list for #1-#20 this is actually #21-#50, NOT IN ORDER YET.”
Speaking of 'scogs lists, Robert Fripp's "Exposure" and AEOC's "Fanfare For The Warrior" both made the "100 Records That Set The World On Fire (While No One Was Listening)" cut, as did SME's "Karyobin", their record from three years prior to "Birds Of A Feather".
I'm a fan of these Freedom, Jazzlore, Affinity, etc. LPs as an alternative to the more expensive, yet only slightly older, original press counterparts.
Ripe for a mashup.
Ray-gamuffin Bryant: Up Ahmed the Rock
Or something like that.
Osmosis is psych rock from Boston, fronted by Charlie Mariano. Robin Kenyatta is solid jazz fusion with Wolfgang Dauner on the clavinet. Melinda soundtrack is a minty DJ promo copy.
that's deep, man
A few recent 45s from We Jazz records in Finland and a mixtape from Funk Night in Detroit - they threw in a test pressing of some new shit I've never heard of, it's good! Not on discogs yet. I guess they noticed I've bought from them before a few times.
And the Whitefield Brothers is nice to have on 45 as it's a song my band actually did live when I was in one.
I didn't do so well on a night fishing trip last Saturday, but I found these at a couple of quick stops on the way there.
Zeublon is such a small space - I got to see Meg Baird there a while back and it was, like, magical. Ty Segall must have been LOUD! I'll check the yootoobs.
(Not the same show)
"Talk To The People" is a much needed upgrade from a VG- copy I already have. It's a part of his "Invitation To Openness" and "Layers" period where he goes all out with the Rhodes and clavinet. However, while those two are all instrumental, this is his "What's Going On"-style soul record. It's best known for "North Carolina" (below) and the beautiful version of the Marvin tune. Both of which have live versions on his Montreux '72 double LP, by the way.
Here's some selections from the Unspoken Word:
Here's the Charles Bobo Shaw, which is actually a '81 Muse print of his much rarer "Çonceré Ntasiah".
I was always aghast at most soloing, but then I changed my mindset and imagined it as chord surfing, and got an idea of them taking like, rad angles against the wave and such. So you have folks who are like, at one with the wave, and have their hand in the wall, then you have people with the back of the board through the wave, and then people who are really against the grain and then flip off the wave into a barelling endless flight dismount.
And everything in between.
But yeah, there are some solos you just want the wave to wipeout deep into Neptune's briny realm and pin the musician into spiny corals, over and over, perhaps ripping their faces off or getting devoured by sharks.
YMMV, like.