Al Green Vs. Marvin Gaye?
batmon
27,574 Posts
I had this debate years ago in an after hours joint.I go with Gaye but the other dude had some legit points. I felt that Marvin's strength was his versatility.His subject matter went beyond love themes. I was wondereing who you other strutters would pick in this debate?
Comments
The book is now officially on my 'to read' list, but in the meantime, can i get some brief further info on 'Why'?
C-S with a side of A-Y
You haven't heard Al Green's THE BELLE ALBUM, have you? That acoustic blues guitar was played by Al himself, and he wasn't shucking. As far as Marvin Gaye...I believe the churchy piano you hear on the WHAT'S GOING ON elpee was played by Marv's own two hands.
As far as the debate between Al, Marvin and Curtis...why choose? For me, Curtis might lag slightly behind because for all his ambition, his albums were inconsistent. But all three of these guys were giants; I couldn't choose one over the others.
Marvin was a drummer as well. If I remember correctly, he played drums on the Originals song "The Bells", which he also wrote and produced. I also read that the success of this song gave Marvin enough clout to start taking more contol of his music, leading into "What's Going On".
But back to the question at hand...
I still pick Al Green, Wu-Tang sampled him more!
I think Marvin might have played drums on a couple Motown recordings from the 60s.
Man, Al Green was as much "not a role model" as Marvin in his personal life....
I like al green, but his records are too much "monodimensional" for my taste
I mean Marvin was more various in the arrangments and a bit more "free" from the producer-mark compared to AL Green
and Curtis Mayfield ...he is PURE GENIUS...but if I should choose only one, I still would pick Marvin
p.s. anyone heard Al's insane funk cut "You Say It"? 45 only...a great one to play out, it is a killer.
Marvin, on the other hand, is irreplaceable to me. Plus he runs circles around Al Green as far as song writing and arranging are concerned.
That's because Marvin (and Curtis) were a lot more "progressive" than Al. Marvin and Curtis had loftier "FM" ambitions - concept LP's, extended jams, sermon lyrics, overtones of white rock (in Curtis' case), etc.. Al, on the other hand, made (relatively) slick AM singles that stayed within the bounds. Not to say that any one of these artists were inferior - all were certified geniuses, but there are differences.
agree........
...for instance just read the credits on the "Trouble Man" LP to see that Marvin worked with near a different producer for each song ........
the guy was experimentig for sho'
and where is Lamount Dozier ?......and Terry Callier ?
........and my man Bobby Womack ? .........what abt Donny Hathaway ?
we wanna talk abt less known Leon Ware and Leroy Hutson ?
please feel free to add more ........
Ray Charles, Bootsy Collins, Sly Stone, Larry Graham, Keni Burke, James Brown, Clarence Burke, George Clinton, Prince, Shuggie Otis, Michael Henderson, Norman Connors, Larry Blackmon, Patrice Rushen, Gavin Christopher, Junie Morrison, The Brothers Johnson, Eugene McDaniels, Walter Jackson, Billy Preston to add on some other multi-talented type cats.
Peace,
Big Stacks from Kakalak
essplain...
Always thought Johnny Bristol cut some nice lp's from 73 - 80.
Marvin for me btw
Talkin abt underrated fellows......
Will Hutch anyone ?
he receive proper credit or the Foxy Brown ost but I guess all of his 73- 76 discography worth
and abt AL green....
Do you knows the Willie Mitchell-produced female trio named Quiet Elegance.?......
.it has been recent discovery for me .....highly recommended for all AL Green fans
later
S
Word? What's it sound like? I mean does it sound like that classic "HI" records steez? If so, I must copeth said jawn.
Word !
it's Willie Mitchell 100 % hot butter.....
Marvin Gaye all the way, though Al Green is FARRRRRRRRRRRR from a slouch himself.
Peace,
Big Stack from Kakalak