TEH PHONOGRAPH DJ
DB_Cooper
Manhatin' 7,823 Posts
I just got this image sent to me for use on our website because apparently this guy will be providing music for one of our events. I actually had to ask myself if that did indeed just happen. What are the odds this guy lives in Brooklyn?
Comments
http://austinphonographcompany.com/
Let's see the Steampunk mixer!
B/W Hip AND boring!
Probably a microphone to an amplified system. Fucking hipsters ruin everything. :P
Looks like headphones - dude has two on the go and needs to cue up platters?
(Although Elemental has been knocking round Brighton jams for years in his pith helmet, and v good he is too)
nah man not like that though. dudes were really KILLING it right then
Almost 150 comments on that piece, most of which seem to have come from people properly irked at the Graun's failure to "get" Chap-Hop, or to give it the serious coverage it deserves.
Elsewhere on the site, there's a piece on Lil Boosie, framed by only the barest possible context, and which has plainly only been commissioned with the sole purpose of harvesting as many "Boosie Out"-related clicks as possible.
Like the rest of the paper/site these days, the Guardian's arts coverage is fucking shocking.
http://vintage78dj.co.uk/about/
Despite being a good sax player, I'll wager he makes a better living out of the 78's.
3-deck setup. Carl Cox, are you watching?
Yup. 2013 in Brooklyn was a magical time to be white and rich enough to waste time at a period-costume event.
What a poseur. Nothing says let's re-live the 1800's like a PA system.
I always try to imagine these are just people who love to dress up and be silly, but as Harvey pointed out you wouldn't really want to live back in those days. They don't even want to really listen to an old phonograph with out amps. Plus I'm pretty sure those things destroy records with those giant needles. Any 78 worth listening too should not be played on one of those.
I can deal with steam punk people when they actually make stuff themselves that is functional. To each his own, but there should be more to it than fad.
They were designed to play acoustically recorded records.
Electric mic and electric recording took over about 1918.
There are collectors who like to collect and play the records from that period on period phonographs.
As V said, they take a toll.
Most of the great blues, country and jazz recordings were done after 1918.
I love that song. One of the few songs I discovered through a video game.
Bertie Wooster yo