Dudes who listen to The Fall
DB_Cooper
Manhatin' 7,823 Posts
Are there folks who are Fall completists? Fall enthusiasts? They have something like fifty albums, which makes it really hard to pick a place to start. I've heard a bit here and there and have owned a 10" by them, but their sheer mass of output makes it seem more trouble than it's worth to get involved. If any of you dudes truly and throroughly ride, please to provide a sketch of their lengthy career and an album or two that's good for a starting point.
Comments
Speak!
I don't doubt that there are others I would like, but I'm good with these.
This is the vibe I get from them. I kinda like some of the stuff I've heard, but I've never been really grabbed by one of their songs. Couple that with more albums than most folks have in their entire CD collection, and I am hesitant.
@jimster
Essential heads know the transaction
Being surface of broken eye.
Also if you like Pavement's "Slanted & Enchanted" then you might like the Fall album they ripped off "Grotesque"
I was a Fall completist for a while but gave up sometime during the 90s. I've heard some of their stuff since then but declining quality (mostly due to band instability) just made it a bad percentage move to try to keep up.
Fifty albums is way low, I think, since there are also tons of comps and EPs, and over 20 live releases.
My favorite is still the 1st I ever heard, Early Years 77-79. After that I'd recommend Dragnet, Live at The Witch Trials, Fall in a Hole (early live stuff from New Zealand), The Wonderful and Frightening World of the Fall, Grotesque, This Nation's Saving Grace, and Hex Enduction Hour.
There's a 6 CD set of their complete Peel Sessions! Some might say that's excessive...
From a mid-80s EP:
From Perverted By Language (which should be on the above list, too):
Okay, so sounds like I'll soon have a 3rd Fall album. Thanks for the reco.
For me most of what they released in 70's/80's is very good and also 3 or 4 of the releases from 2005 have been a good return to form also.
In terms of completists, I have a friend who is only missing 3 original releases all of which were during the dip in the form they had in the late 90's I think. He's been to see them live around 12 or 13 times.
Okay, I'm too much of a fan of Slanted and Enchanted to just now be realizing that this is uncanny...
Hahaha. The last time I saw The Fall maybe 10 years ago, Mark E. Smith yelled "I DONT CARE IF IT'S ME AND YOUR GRANDMA, ITS STILL THE FALL"
what a lil curmudgeon
Does the content translate outside the north of England, it's very of its time and place? (Genuine question)
(Just realised my avatar...)
It's a good read, just found it in a cupboard yesterday looking for old Iceberg Slim/Payback Press books. Must return it to my mate.
I'm friends with a guy that was the lead guitarist in the late 90's (designed the artwork for Levitate). There's youtube footage of the infamous NYC 1998 gig with him punching MES onstage (bit of a girly punch tbh) before MES got sent to Rikers but was never an inmate I think.
No, it really doesn't.
But it doesn't matter to me. I don't care what the lyrics mean. It's not relevant to the appeal of the band.
when I saw him it was a lot of material from the latest release.
So, all the time? Then they record the tour, put out a live album and tour again.
Ok, that's strange to me as their entire appeal is the lyrics and identifying with what MES is saying. Great original lyricist above all else IMO
Glad you find what you find but I guess I'll always be confused how they had any popularity outside their 'environment' (glad they have)
I didn't know what "Rowche Rumble" was all about until years after I'd first heard it, but I always thought it was a great song, if that helps any.
I think there's a reason Mark E. Smith doesn't include lyrics with his albums.
Maybe this will help:
http://thequietus.com/articles/03925-the-fall-and-mark-e-smith-as-a-narrative-lyric-writer