A good Mic for (female) RB vocals and rap?
OrangeYoghurt
210 Posts
I like to get me a mic, but dont know wich one to get.Everyone says to get a condenser-mic. Hiphop fans who probably never seen a mic before always say shure sm58. Others say that the old jazz-vocalists used ribbon-mics (dont know if thats true)I like the Julie London sound and close-micing..Any suggestions?
Comments
I think you mean "tamale".
And I corrected the spellingmistakes (sorry.);)
Yes, I just read up on that no mic will sound good wthout proper pre's
Mmm.. Are cheap tube-pre's a good choice or just crap? I;m still curious about the ribbon-sound tho.
http://cgi.ebay.com/STUDIO-PROJECTS-C3-F...VQQcmdZViewItem
To be honest, you're not going to get much for $150 in the way of a condenser mic/tube amp combo. You should just get some dirt cheap shit to learn with and then upgrade to something decent when you're comfortable/have the money. I can't speak on ribbon mics, because I have no experience. However, if you're interest, I have an ART Tube Amp and a Marshall MXL condenser I could sell you for $75 (for both) plus a couple bucks for shipping. This was my first mic/pre combo and I recorded a lot of music with it. The mic was originally about $100, pre was about $80. Feel free to PM me if you want them.
Audio-Technica has a mic that was selling around $200 that got some rave reviews. I forget the model, but you can find it if you do a search on gearslutz.com
He has some really nice shit in there, but he's not dipped to the Nevest like others, so I think he made more of a character choice and I was always flattered he kept using it and avoided getting it back to me!
Big $$$ equipment kind of lost its luster for me, it sounds awesome, and truly I don't know what it's like to have invested the majority of ones time in recording every day in and out, or truly analyzing and digesting your recorded material to the point where each equipment subtley is so outstandingly apparent where you know all your shit that well and can hear it breathing, but I think it's really how well you know all that equipment too that becomes a big part of how good a sound you get. Ive seen an arsenal of neves do what I thought was nothing special for an intern, this is speaking from the jerkoff perspective of a player so I've bit my tongue, but I call a spade a spade for myself and realize not all that $ is the final answer.
At home all I have is an inexpensive mic pre and an mbox1 and when I got that budget condenser I was just so psyched to witness that evolution of sound for myself in my own little space and youll probably get to still experience it fully without buying the $500 brand.
Ive been interested in owning a Blue mic at home, Ive got to use them a couple of times and they aren't too expensive, but that gold MXL is probably just as awesome.
Glyn Jhons stlye
i think i paid abotu $75 for mine.. they are STOOPID cheap.. my buddy who owns alot of classic mics, beyer 26o ribbons, senn 421's etc etc.. borrowed my v67g and ended up loving it so much he bought 2 off ebay to use as stereo overheads for drums.
there is cheap GOOD gear...
I've got a modded (upgraded tubes / opamps) bellari toob pre and a focusrite platinum trackmaster pro (how can this NOT be hip hop?).. both were well under $200.