Stark Reality. Never heard it. Justified hype?
Jimster
Cruffiton.etsy.com 6,958 Posts
Please Realheadz to be dropping on why this piece is so valued.
Comments
Have you tried Sweden?
I personally love it but it may not be everybody's cup of tea.
You could always get the Stones Throw reissue but make sure to pick up the tracks they missed off there (including Clouds one of the greatest tracks) from Monty himself at his website:
http://home.att.net/%7Emontystark/store.html
Where is Monty anyway?
nope, but ive spoke with a swedish dealer who found it several times, even found a mint copy which he sold for $25 or something...
the price that people pay now is kinda crazy. it's not worth the money.
i definitely miss it. i want it back. not for 800 though.
I'm happy with my re-ish, as well as mp3s of missing tracks.
I'd rather just give 400 dollars to monty than by the OG.
p.s. (Monty- no i'm not giving you 400 dollars, but you are invited to the halloween party if you can catch a ride!!!)
just grab the 2cd reissue. 'acting, thinking, feeling' is too good to pass up.
I just recently purchased the euro 2CD and for some reason I was unaware that Egon even put out an unreleased album (1969) by them but it???s simply outstanding. I think I dig it more than I>Discovers/I>! I???ve been playing that second CD to death.
The appeal of this record is very subjective. When a piece such as this attains an almost mythical status, it is bound to disappoint some folks no matter how good it is. Those who expect to have their mind blown to bits from beginning to end will be better off digging up an OG Ege Bamyasi. That is to say, this (Stark Reality)is a solid, unique and funky jazz rock record of the highest order. It is scarce as fuck and anyone with an OG copy should hold on to it for bragging rights alone. It does add to a collectors cache/credibility/etc.
Is it worth it. Yeah, I think so... not the kind of record you can just put on any old time & kick back to but when the mood strikes, it does the trick.
1. John Abercrombie, the great guitarist, had just got off the chittlin' circuit with the Johnny "Hammond" Smith trio.
2. i had just got off the road, which included touring the south in a 7 piece band, 4 horns, amplified acoustic bass, "Mousy" the loudest drummer ever, (this is '60s pre-desegregation), black band, (except me), and i was required to be the only keyboard in the band on 4 mallet vibes, (no guitar either) - the Red Prysock Orchestra.
3. Phil Morrison, an identifiably great bassist, influenced by Paul Chambers, Doug Watkins, et al., had played with Sam Rivers, and had just got an electric bass.
4. Vinnie Johnson was, and still is, a pure classic bebop-to-free, accomplished jazz drummer - funk was required for the gig, and funk was new.
5. i know i don't have a voice, but the gig required somebody had to sing - "acting, thinking, feeling" 1968 with 6 horns, no guitar, live on TV, (Stones Throw 101 DVD), with Phil, Vinnie, and me singing, and the 1969 stuff is also the three of us singing live, and playing at the same time.
6. the Hoagy stuff? tracks recorded live, one after the other, all first takes, one day - the next day i overdubbed the vocals.
7. and now, god bless will.i.am, it finally fucking paid off!
Hey Monty, thanks for using the photo of me breaking up weed at Guzzo's pad on my OG Stark Reality as your avatar. I'm truly honoured....
i always wondered if the "so-so" vocals was something you did deliberately (ala melvin van peebles) ...
ps:
heh, i like it even more than
This is good news. You originally said you were not getting paid for the sample. Things have changed?
BTW I love it, but I am sucker for funky kids records. Everything Monty (did I spell that right?) said about the players is true. I have had 3 copies, 2 I paid cash and trade, one I found in a well picked jazz bin in a popular store for $4.00, mint. But all that was some 8-10 years ago, so you newbies might have a harder time.
Monty, did you record with Prysock?
yeah, early '60s, we did a date at RVG for Mercury Records with the road band + Kenny Burrell on guitar, but by then Red was pretty much over, and nothing was released.
forever
peace, stein. . .
I can't believe a 1200 dollar record would be languishing in the bins, even in Japan
- spidey
I live in Sweden and have only seen an og on Lars website... For more than $400 I might add. I love both my 2cd and my 2LP reissues, it's not something I listen to every day though, you dig it out once and again and get your mind blown. A lot of expensive records are basically versions of other famous artists' work (as a lot of pricey, sometimes overpriced funk 45s are basically artist trying to copy JB, etc) but the music of Stark Reality is just so unique - if you feel like listening to it, there's no substitute. It's like the jazz/funk/psych version of Sonic Youth or something. Thanks a bunch, Monty.
Hey! Holmsy Holmes! How are you doing?
Nah, I did not go back to buy that record, a little bit too expensive plus this crazy dude is acting like he knows everything and I hate that. Plus, you can not negociate (I like to negociate!) and most of his records are VG. But if you have a spare for me... holla.