The two most memorable car-chase scenes in movies are from the movies with ending that really flipped me out when I was a kid: The Italian Job (Michael Caine one) : as a kid I always expect movies with happy endings that wraps everything up nicely, but that ending really intrigues a kid with the aforementioned mentality. To Live and Die in LA: it's William Friedkin for goodness' sake. I remember seeing it on rental Laserdisc and my father grabbed the remote control for chapter skip during the scene with William Petersen's getting it on with Debra Fuera. Years later when I revisited the film on DVD, my father's reaction was, "you're telling me this sleazebag is Gil Grissom?" (he's a devout follower of CSI). But the ending with the OTT violence came in so sudden...I thought that was so cool since the 80s was all about happy Hollywood endings (at least for most of the crap I've seen throughout those period).
the chase of the wife killers in Fernando Di Leo 1973 italian crime flick "La Mala Ordina "(aka "the italian connection") with armando trovajoly funky score to boot
a real obvious one, but BULLIT. I don't think the French Connection scene outdid this one, as it claimed to when it was released... everything in this one blows my mind. ten minutes with no music, they don't buckle their seatbelts until 3 minutes in, the wobbly boat like handling and heavy smoke producing bias ply tires. Check the wheel hop on Steve McQueen's Mustang in the Reverse-peel out... that charger is
I know when it's come up before you're like the only other dude who's seen it. Mad slept on, folls.
I was going to mention this one as well. It's been a long time since I saw it, but I remember the car chase was great. That's the one where Roy Scheider's (or the bad guy's) car ends up being squeezed under a truck, right? The Don Ellis score was pretty good too as far as I remember. Was it officially released?
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Slangin giant boats around the steets.
And lets not forget these guys.
Nuff said.
Peace for now, Peace for later
http://www.youtube.com/watch?v=dQa-RSSRrVM
This is one of them.
HAd forgotten about that movie, underrated flick if ever there was one (despite the fact that I seem to recall the ending being trippily ott)
Overall for grittiness it has to be French Connection, fro enjoyment it has to be Blues Brothers.
Though this doesn't really count as a movie it's always worth mentioning as well:
C'??tait un rendez-vous
1976 short film of speeding through early morning Paris
Both amazing. The 7 Ups is
big time
The Italian Job (Michael Caine one) : as a kid I always expect movies with happy endings that wraps everything up nicely, but that ending really intrigues a kid with the aforementioned mentality.
To Live and Die in LA: it's William Friedkin for goodness' sake. I remember seeing it on rental Laserdisc and my father grabbed the remote control for chapter skip during the scene with William Petersen's getting it on with Debra Fuera. Years later when I revisited the film on DVD, my father's reaction was, "you're telling me this sleazebag is Gil Grissom?" (he's a devout follower of CSI). But the ending with the OTT violence came in so sudden...I thought that was so cool since the 80s was all about happy Hollywood endings (at least for most of the crap I've seen throughout those period).
the chase of the pimp in Truck Turner.......
the chase of the wife killers in Fernando Di Leo 1973 italian crime flick "La Mala Ordina "(aka "the italian connection") with armando trovajoly funky score to boot
here is the dutch-version trailer
http://www.youtube.com/watch?v=dTe3gKIqAgc
a real obvious one, but BULLIT. I don't think the French Connection scene outdid this one, as it claimed to when it was released...
everything in this one blows my mind. ten minutes with no music, they don't buckle their seatbelts until 3 minutes in, the wobbly boat like handling and heavy smoke producing bias ply tires. Check the wheel hop on Steve McQueen's Mustang in the Reverse-peel out...
that charger is
I know when it's come up before you're like the only other dude who's seen it. Mad slept on, folls.
Anything involving R??my Julienne is worth checking out.
He's been the go-to man for innovative car chases in film for a minute now.
SERIOUSLY slept on. One of the finest early-70's cop films, very gritty, realistic with a real feel for the NY area of that time.
WILLIAM PETERSEN IS HHHAAAAAARRRRRRDDDDD!
I was going to mention this one as well. It's been a long time since I saw it, but I remember the car chase was great. That's the one where Roy Scheider's (or the bad guy's) car ends up being squeezed under a truck, right? The Don Ellis score was pretty good too as far as I remember. Was it officially released?