Yemsky

Yemsky

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  • 'A to the K' / 'A to the mother fuckin' C' meaning (WildStyle Clip-R)

    Danyo g said:
    It means anybody killer a to the k 

    Did you bother reading the thread or did you post straight after reading the original question?

    Electrode
  • I WANT YOU MF's TO SEE SOMETHIN

    Deep diving into MJ's Thriller:



    20+ Episodes
    ketanElectrode
  • Real Designers: What is the mantronix font?

    A distant cousin, not a digital twin.
    Jimster
  • Question for the non-uk heads (hiphop-r)

    YD certainly had a place at the very top of my own and my friends’ wants list in 1990 thanks to the Dub of their promo-only 12” Step Right On. Tim Westwood played this on his BFBS hip hop show for a couple of months without clearly stating what it was and it drove us nuts.

    Luckily, when the album finally dropped in Europe, the dub version was included. When I moved to the US I realised that in the US the vocal version was included, which nobody I knew cared about. 

    Carleene Anderson’s voice has always been a bit Marmite, I think. While I wanted to like it, I didn’t and good Marketing and limited editions did their thing to still make her stuff collectible at the time of release: I was desperate to get a copy of the Dusky Sappho E.P. in 93-94 and when I finally did, I thought she was screeching at times. I was more into her cousin Jhelisha and her 94 debut album. but now we are not talking UK Hip Hop anymore. 




    djwaxon
  • Question for the non-uk heads (hiphop-r)

    Drawing a fine line between U.K. Hip Hop and Acid Jazz/ of yesteryears: Stereo MCs - Supernatural seemed to be playing everywhere in my German hometown in 1990. 
    From clothes shops to cafes and BBQs, you couldn’t escape it. 
    Tracks picked by DJs varied from in R&B, Indie and Pop clubs from I’m A Believer, to Lost In Music, to Set Me Loose, to Early One Morning, to I Ain’t Got Nobody but the most played one across all scenes was without a doubt Two Horse Town. 
    I just checked on Discogs whether only was an album track as I remembered, and interestingly the made a 12” testpressing of it only in Germany. With the dope groove of the album closing Smoking With The Motherman in the flip. That was wafting out of many speakers. 

    In 1992 they became utterly inescapable with the Connected single. 
    djwaxon