really feeling straighten it out. just feels right to me. copped one, i can imagine it would sound doper pitched down.
troy wasnt my cup of tea, felt forced to me, and pretty safe from mr chops perspective. he could have gone crazy with that melody... i think tho, that if he would have played that horn part with a ms-20, mellotron or something instead. i would probably love it.
I think the Straighten' It Out is ok, and could imagine getting some use from the instrumental, but not seeing any merit in the TROY myself.
The straighten it out is terrible! You really think this is good? Just listen to the original Pete Rock version or just rock the Ernie Hines joint!!!!!!
I think the Straighten' It Out is ok, and could imagine getting some use from the instrumental, but not seeing any merit in the TROY myself.
The straighten it out is terrible! You really think this is good? Just listen to the original Pete Rock version or just rock the Ernie Hines joint!!!!!!
Uhmm, without re-starting old arguments ( ), I think the sounds that Mr Chop has given to the re-work/cover of Straighten It Out are perhaps more suited to ears this side of the pond... you know, over here there are whole genres based around weird, electronic bass farts. To me he's done a good job (or it sounds 'right' as Doom says) of blending old samples with newer effects - this almost sounds like Nino Nardini is jamming with Ernie Hines.
I think the Straighten' It Out is ok, and could imagine getting some use from the instrumental, but not seeing any merit in the TROY myself.
The straighten it out is terrible! You really think this is good? Just listen to the original Pete Rock version or just rock the Ernie Hines joint!!!!!!
Uhmm, without re-starting old arguments ( ), I think the sounds that Mr Chop has given to the re-work/cover of Straighten It Out are perhaps more suited to ears this side of the pond... you know, over here there are whole genres based around weird, electronic bass farts. To me he's done a good job (or it sounds 'right' as Doom says) of blending old samples with newer effects - this almost sounds like Nino Nardini is jamming with Ernie Hines.
To my ears at least.
LOL! Ok. I get it. I'm over here in the states so I don't get your whole new genres. You are on some comedy! I am just not feelin' it. I enjoy a lot of edits that UK DJs/Producers have done. I included some below. Doing edits of Pete Rock joints that are samples to begin with just seems pointless and I did not see any merit in playing these. Please save me the whole "You are across the pond and don't get what we are doing over here" argument because that is just stupid. You can keep these Chop edit/re-works over there.
I think the Straighten' It Out is ok, and could imagine getting some use from the instrumental, but not seeing any merit in the TROY myself.
The straighten it out is terrible! You really think this is good? Just listen to the original Pete Rock version or just rock the Ernie Hines joint!!!!!!
Uhmm, without re-starting old arguments ( ), I think the sounds that Mr Chop has given to the re-work/cover of Straighten It Out are perhaps[/b] more suited to ears this side of the pond... you know, over here there are whole genres based around weird, electronic bass farts. To me he's done a good job (or it sounds 'right' as Doom says) of blending old samples with newer effects - this almost sounds like Nino Nardini is jamming with Ernie Hines.
To my ears at least.
I'm over here in the states so I don't get your whole new genres. You are on some comedy! I am just not feelin' it. I enjoy a lot of edits that UK DJs/Producers have done. I included some below. Doing edits of Pete Rock joints that are samples to begin with just seems pointless and I did not see any merit in playing these. Please save me the whole "You are across the pond and don't get what we are doing over here" argument because that is just stupid. You can keep these Chop edit/re-works over there.
Was just a guess, based on what I like about that re-work, which is the buzzing bass-farts & electronic FX. I'm not trying to convinve you that you're not-on-the-right-level or anything, and your sentiments cover how I feel about the TROY - no point when the OG is so much stronger.
i like mr chop. i kinda understand vaguely where chan is coming from on the hip hop cover version albums, NAGL argument. But i think this one is entertaining.
i like mr chop. i kinda understand vaguely where chan is coming from on the hip hop cover version albums, NAGL argument. But i think this one is entertaining.
Duder and BeatNick to speak on exactly what subgenre the track represents.
On listening, it seems clear there are traces of High Street Honey House, Brap and Dorkstep. Trumpton Beat maybe?
LOL! It seems like ever couple of weeks there is a new genre of electronic, dub,house, club, whatever in the UK. I can't keep track and have no idea what most of the genres are. The Chop EP that was recommended in this thread was listed as the following:
Genre: Electronic, Funk / Soul, Hip Hop, Jazz Style: Trip Hop
I think that is just too much going on for me! LOL. Is the term "Trip-Hop" still used? Are people still doing "Trip=Hop" music? I still have no idea what that really means.
i like mr chop. i kinda understand vaguely where chan is coming from on the hip hop cover version albums, NAGL argument. But i think this one is entertaining.
jeeeez, the stones throw knob-jockying never ends, does it....?
Chop's been around long before his relationship with now-again dude. i happened to choose that release because its one of the best ones. if you want i'll recommend one of his other 7"s instead.
Duder and BeatNick to speak on exactly what subgenre the track represents.
On listening, it seems clear there are traces of High Street Honey House, Brap and Dorkstep. Trumpton Beat maybe?
LOL! It seems like ever couple of weeks there is a new genre of electronic, dub,house, club, whatever in the UK. I can't keep track and have no idea what most of the genres are. The Chop EP that was recommended in this thread was listed as the following:
Genre: Electronic, Funk / Soul, Hip Hop, Jazz Style: Trip Hop
I think that is just too much going on for me! LOL. Is the term "Trip-Hop" still used? Are people still doing "Trip=Hop" music? I still have no idea what that really means.
Here you go Chan
This is a list of electronic music genres, sub-genres and styles.
Ambient Ambient house Ambient techno Dark ambient Drone music Psybient Breakbeat Baltimore Club Big beat Broken beat Florida breaks Nu skool breaks Progressive breaks Rap Disco Cosmic disco Eurodance Euro disco Hi-NRG Italo dance Italo disco Nu-disco Downtempo Acid jazz Balearic Beat Chill out Dub music Ethnic electronica Glitch Illbient New Age music Nu jazz Trip hop Electronic music Berlin School Electroacoustic Electro Electro backbeat Electro-hop Electro-grime Freestyle music Electronica Electropop Folktronica Glitch IDM Nu Jazz Post-disco Trip hop (UK) Garage (UKG) 2-step 4x4 Bassline Breakstep Dubstep Funky Grime Speed garage Hardcore/Hard dance Bouncy techno Breakbeat Hardcore Breakcore Darkcore Digital hardcore Doomcore Freeform Gabber Happy hardcore Hardstyle Jumpstyle Makina Noisecore Speedcore Terrorcore UK Hardcore House Acid house Boogie Bubblegum dance Chicago house Crack house Deep house Disco house Dream house Electro house Euro house Fidget house French house Freestyle house US garage Ghetto house UK Hard house Hard NRG Hi-NRG Hip house Italo house Kwaito Latin house Minimal house/Microhouse Progressive house Scouse house Swing house Electronica Tribal house Tech house Hi-NRG Eurobeat Eurodance Hard NRG Italo Disco New Beat Techno Industrial Aggrotech Ambient industrial Cybergrind Dark ambient Dark electro Death industrial Electronic body music Electro-Industrial Industrial (part 2) Industrial rock Industrial metal Coldwave Noise Japanoise Power noise Jungle/Drum and bass Clownstep Darkcore Darkstep Drumfunk Hardstep Intelligent drum and bass Jump-Up Liquid funk Neurofunk Oldschool jungle Ragga-jungle Darkside jungle Raggacore Sambass Techstep Trancestep Rock/Punk influenced electronic music (Dance-rock) Alternative dance Coldwave Cyber metal Dance-punk Dark Wave Digital hardcore Electroclash Electro rock Electropunk Ethereal Wave Industrial rock Industrial metal New Rave New Wave Synthpop Post-disco Progressive rock Synthpunk Techno Acid techno Detroit techno Free tekno Ghettotech Minimal New beat Nortec Schranz / Hardtechno Tech house Tech trance Techno-DNB Techstep Yorkshire Techno Trance Acid trance Classic trance Dream trance Euro-trance Hard trance Hardstyle Progressive trance Psychedelic trance/Goa trance Dark psy Full on Nitzhonot Psyprog Psybient Psybreaks South African psytrance Suomisaundi Tech trance Uplifting trance Vocal trance Post-disco Dance-pop Boogie Nu rave Hardcore breaks Rave breaks Jungle techno Chiptune 8-bit Demoscene music Picopop Game Boy music Gamewave Other Derivatives Club/Dance Europop Euro-Trance Happy Hardcore Bubblegum Dance
Of course it's not fully up to date. I see they are missing Somerset Wonky Dub, for example.
I think that is just too much going on for me! LOL. Is the term "Trip-Hop" still used? Are people still doing "Trip=Hop" music? I still have no idea what that really means.
i don't really know what that music was? i remember a time when mowax was grouping together off beat experiments from people like carl craig, la funk mob and so forth, they were all kind of tempos and all kind of sounds. i guess it was stoner music in some way. then josh davis made a slip up and said "its trippy hip hop, it's trip hop" in an interview and one over-zealous journo coined the term for all time.
truthfully producers do what they always have done, fuck around and try different things. however, its hard for promoters and journos to comment on scenes and parties without a tagline. this is how stupid tags like dubstep come about. in reality, the music is always in a state of flux. there are all sorts of ideas floating around in the diaspora and as you will hopefully soon see, some of them are now making their way into major label us hip hop and rnb.
Trip Hop for me was around 94-95, basically slowed hip-hop samples and production techniques sprinked with quirky electronic dustings and used to make downtempo backgrounds pieces to recreational smoking sessions. Tricky, Portishead and dem.
Frankly direction-less and repetitive to my ears doe (non-herbivore). In the words of Betty Boo, "I can't dance to that music you're playing".
The track by itself is a decent track but to try and make it on the level of "T.R.O.Y." is just blasphemes. When Pete used the Tom Scott break he put a lock on it that only he has the key for. I think everyone that owns that record, myself included, has thought about flipping it and realized that it's no point in trying to get something out of it that P.R. didn't already do. You don't f**k with a classic!!
DocMcCoy"Go and laugh in your own country!" 5,917 Posts
The ever-more-jaded and grouchy Simon Reynolds (honestly, I feel he'd fit right in around here sometimes) just coined the term "blubstep" to describe emo chillwave dubstep crossover stuff like James Blake, which is the first time he's made me laugh in at least twenty years, possibly ever.
Duderonomy
Haut de la Garenne 7,789 Posts
Comments
NOT feelin' it at all. What is the point of messing with a classic?
I think the Straighten' It Out is ok, and could imagine getting some use from the instrumental, but not seeing any merit in the TROY myself.
troy wasnt my cup of tea, felt forced to me, and pretty safe from mr chops perspective. he could have gone crazy with that melody... i think tho, that if he would have played that horn part with a ms-20, mellotron or something instead. i would probably love it.
The straighten it out is terrible! You really think this is good? Just listen to the original Pete Rock version or just rock the Ernie Hines joint!!!!!!
Uhmm, without re-starting old arguments (
To my ears at least.
1st rule of hiphop: dont follow any rules.
LOL! Ok. I get it. I'm over here in the states so I don't get your whole new genres. You are on some comedy! I am just not feelin' it. I enjoy a lot of edits that UK DJs/Producers have done. I included some below. Doing edits of Pete Rock joints that are samples to begin with just seems pointless and I did not see any merit in playing these. Please save me the whole "You are across the pond and don't get what we are doing over here" argument because that is just stupid. You can keep these Chop edit/re-works over there.
I am feelin' these UK edits....
Did you pull that out of your backpack? LOL!
agree with you on that ashford and simpson edit... i played that a lot when it came out.
i can't find a clip online, but another edit worth checking out which is on the same tip is the keep schtum edit of odyssey's "hang together".
Was just a guess, based on what I like about that re-work, which is the buzzing bass-farts & electronic FX. I'm not trying to convinve you that you're not-on-the-right-level or anything, and your sentiments cover how I feel about the TROY - no point when the OG is so much stronger.
Nice. Sounds like the guy is singing "busta rhymes" at the beginning
Feelin' it!
lightworlds, on the other hand, is sick.
http://www.discogs.com/Mr-Chop-Lightworlds/master/114628
jeeeez, the stones throw knob-jockying never ends, does it....?
On listening, it seems clear there are traces of High Street Honey House, Brap and Dorkstep. Trumpton Beat maybe?
LOL! It seems like ever couple of weeks there is a new genre of electronic, dub,house, club, whatever in the UK. I can't keep track and have no idea what most of the genres are. The Chop EP that was recommended in this thread was listed as the following:
Genre:
Electronic, Funk / Soul, Hip Hop, Jazz
Style:
Trip Hop
I think that is just too much going on for me! LOL. Is the term "Trip-Hop" still used? Are people still doing "Trip=Hop" music? I still have no idea what that really means.
Chop's been around long before his relationship with now-again dude. i happened to choose that release because its one of the best ones. if you want i'll recommend one of his other 7"s instead.
http://www.discogs.com/Mr-Chop-Electric-Vibes-Breakdown/release/550783
Here you go Chan
Of course it's not fully up to date. I see they are missing Somerset Wonky Dub, for example.
i don't really know what that music was? i remember a time when mowax was grouping together off beat experiments from people like carl craig, la funk mob and so forth, they were all kind of tempos and all kind of sounds. i guess it was stoner music in some way. then josh davis made a slip up and said "its trippy hip hop, it's trip hop" in an interview and one over-zealous journo coined the term for all time.
truthfully producers do what they always have done, fuck around and try different things. however, its hard for promoters and journos to comment on scenes and parties without a tagline. this is how stupid tags like dubstep come about. in reality, the music is always in a state of flux. there are all sorts of ideas floating around in the diaspora and as you will hopefully soon see, some of them are now making their way into major label us hip hop and rnb.
Frankly direction-less and repetitive to my ears doe (non-herbivore). In the words of Betty Boo, "I can't dance to that music you're playing".
haha i loled for the first time today.
what do you think of country? basiclly a whole country full of people... messing with classics all day long.
fixed.
Gilding the lily.
imo totally
Dubstep done by Insane Clown Posse?