break/sample mixes
davidwingate
748 Posts
so i was listening to all my gangstarr records (for obvious reasons) and I was remembering the time when I went to the Gangstarr-Moment of Truth in-store at Fat Beats. I went up to primo and guru and asked for a drop for On Track volume 2 cassette. I remember them just being excited and giving a dope drop that set off that volume for kon and i. now this was after the whole interlude with primo going at break/sample cats, so initially I was maaaad nervous about asking for the drop but all was good. years later I spoke to primo about it and he said i loved the fact that we didn't list the records on our volumes.Throughout the years, mad people used to shit on our tapes because we would not list the records we used. So my question is does having a list of the records really make a better mix or not? I am feel that it doesn't and I stick by what we did.RIP to my fellow four cornerz brother GURU!amir
Comments
part of the whole shit that is kinda missing these days is the whole mystery/mystique of it. when i first heard break tapes it was like someone had put the secret scrolls in the tapedeck...but i still had to go on some lord of the rings journey to find out what they were. each tape became a decade long saga of discovery. tapes with tracklistings are great for the instant gratification of it, but the longterm satisfaction of when those records slowly reveal themselves is much better
Not. Worse.
this pretty much covers how i feel
Few too many speeded up chipmunk records on Vol 6 for my liking though!
any idea when will ontrack 7 come out?
amir
Sometimes I just want to hear what the original sounded like to appreciate how it was flipped. A list of sources doesn't help me do that if I just heard it in the mix, yaoming?
I really want to hear the original of "Holdin' It Down" by Big L flipped by Pete Rock. I was wondering aloud on that "best pete rock biter" thread if it was on any of the On Track's? I don't think that's the same as asking for an ID of the source.
The Trip Beyond! Another one I just appreciate for what it is.
yet theres plenty mixes that people havent been able to put the tracklisting together for. so they aint that dead. make the younguns work a little
amir
Yup, me too. All hail the secret squirrel!
Peep Reynaldo's upcoming braekz mix
these source records are mixed in an entertaining way too though. you would be missing that part.
I saw this too! Trying to figure out their MO. Making $$ from the audio player?
The music is all-important. If a DJ wants to provide a tracklist, then I'm not mad at that at all. I'll admit to finding it a little frustrating when a mix is all super-obscure heat I don't know, but trying to ID shit then becomes part of the fun. I copped Muro's very first King Of Diggin' tape in Fat Beats in '98 and took it into work with me when I got back to London. I hadn't really heard too many straight-up break tapes at that time and, although nothing on that tape is a mystery now, some of it seemed pretty obscure back then. Anyway, a whole bunch of the guys in the office did rubs of it, and we bumped the shit out of it for months. Between us we set about ID'ing every track, and one guy did a spreadsheet so we could cross-reference the o.g's to the songs that sampled them. Incredibly nerdy stuff, I realise, but it was a good laugh.
where can i buy a copy?
This shit is Really well done!
I'll admit that the fun also sometimes comes from the OTHER side of "wait, who sampled that again?".. hip hop production appreciation
That's what's up.
Amir: I think it's cool either way. For me, I always want more information than less because if all you have is a song with absolutely zero info, there's no possible way to find out anything more save for "what track is this?" posts on Strut
That said, I can understand the impulse to keep stuff on the low and I've done a few tapes were I post song titles...but not the artist. So I'm not really mad at it either way but my general philosophy says "share" rather than "hide."