Jazz 45's
behemoth
2,189 Posts
Prestige 45's to be exactany choice ones? i stumbled upon quite a few but without a portable and the knowledge i am kinda flabbergastedany help would be appreciated....-me
Comments
Huh? Any choice ones?
Many, many choice Prestige, Blue Note and other jazz 45s, unless you're among the soul jazz hatters herein. With Prestige you're mainly looking for the blue on blue label and some of the green label, but you're going to have to do some research (or narrow down your question). Good rule of thumb is, if you're looking for funky stuff stick with dates from the mid-60's to early 70's, i.e. Charles Earland, Don Patterson, Rusty Bryant, Freddie McCoy, but there are a whole lot of others.
With Blue Note look for the same kind of stuff, same era, organ/guitar combos, some on the blue/white label, some on the black/blue Liberty era label.
eddie jefferson - p$ychodelic $ally
idris muhammed - superbad
johnny hammond - soul talk
thanks for the info. i will see whatsup with that stuff. i will let you know what i come across . i am a soul jazz fan but at the same time i dont dig thru 45's too often and am a fan but not really a huge lover of old old old jazz that might be contained within Prestiges boundaries? make a lil sense?
If you stay away from the older Prestige 45s (the one without the multi-arrow logo) you'l avoid most of the "straight" jazz. That's not to say that there aren't a lot of lame blue label sides, just that the funkier sounds are pretty much restricted to the 45s with the later designs.
Some of the mixes and edits from the late 60's/early 70's are interesting. The 45 for Rusty Bryant's "Fire-Eater" has a mix that's "narrow stereo" or close to mono, as the album mix had some instruments panned almost to the extreme left or right. It seems Prestige probably had hoped for the song to be some funky or cool instrumental that would catch the interest of the public (which it didn't).
It's also interesting to note that while labels would not make the full switch over from mono to stereo until 1969, there are a few World Pacific 45's from the early 60's that feature the same stereo mixes as heard on the album. I would think they were one of the few labels who released stereo 45's that early, as Columbia, Atlantic, Warner Bros., and Blue Note (all of whom released a lot of jazz 45's throughout the 60's) all followed the mono pattern until 1969/1970. Mono would only be used on promo 45's sent out to AM radio stations.
In other words, if the label color is maroon, instead of blue or green, then chances are it won't be funky.
Not in the accepted Soulstrut definition...
Also, don't fully ignore the white labels either, thinking of Jimmy Witherspoon's "Love Me Right" among others. I mean, I'm probably with Larry inasmuch as I'm guessing neither of us would leave any trace of 'em at the source if the price was right. But I also don't know what appeals ot you.
Hey B****!
I was hoping you'd chime in. Agent45 is your man when it comes to Prestige sides. I concur that I wouldn't leave much behind were I to find a stash. I have plenty of red and white label (mostly organ sides like Shirley Scott and Larry Young) 45s, and even straight jazz stuff, mainly because I love that sound. But if you're looking strictly for the funk, buyer beware.
Yeah, I don't mean the maroon Prestiges are BAD, it's just that if you're funk-focused, those records might be too early for that genre.
And Jimmy Roach's "Fly In The Buttermilk," which was actually straight soul (albeit a bit of a poppish novelty record - not Prestige's normal thing!).
Yeah, I didn't mention the white labels, 'cause I was subconsciously thinking those were promotional copies. I do have the Jimmy Witherspoon record; I think it's from '65, and off an album he did called Spoon In London. "Love Me Right" was a rare attempt to get him in a pop-soul bag, and it actually works!
Hey, B****, how's it going in Atlanta!!!
Oh, I know you[/b] know that, but I wasn't taking anything for granted. I don't have any but I'd assume there are probably a fair amount of blues (esp folk blues) 45s on Prestige as well.
Yeah, I've seen a surprising amount of Lightnin' Hopkins singles on Prestige Bluesville.
Slightly related, anyone know about those stereo 33rpm 7"s of Jazz recordings (mini LPs, with a small spindle hole)? Did Prestige ever mess with that format, or was it just Jazzland/Riverside? Did they come with picture covers?
Most of those 7" mini-LPs are jukebox records. I've seen them on Blue Note, Solid State and other labels.
Prestige also had a gold label, although I only have a few 45s that feature this color.
But, as already stated, some quality 45s on this label, and I still need a 'Psychedelic Sally'. Could also use an upgrade on 'Filthy McNasty'.......