Amy Winehouse
YNOT
in a studio apt mixing tuna with the ramen 417 Posts
Are y'all fucking with this chick or what?
Comments
i dig her.
What's not to like.
And Produced by Mark Ronson. He just won producer of the year in the UK.
well, for one, it doesnt sound like the vocals are integrated with the music very well...she just sounds like a neo-RnB singer singing over a produced track...not a singer singing with a live band...Im not feeling how it is put together.
are playing Ms. Winehouse, and I haven't heard
a bad track yet. It's a solid LP.
That's great.
i could care less if she's a meth/crack head, the voice is ok.
But the few tracks I???ve heard from her so far sound pretty nice.
The desired effect was to make them sound sampled. It sounds real good to me, but then again I like hip-hop. I guess the Dap-Kings dudes do as well, since they work with Mark on the regular.
do the Dap-Kings back her live too?
I don't know, I saw her for the first time last week and it was an acoustic set with her and a single guitar player.
Which I think considering the crowd was a mistake. She could have had the place live cause the energy was there.
She did 2 other performances in Austin with them backing her from what I heard.
I was looking forward to seeing them as much as seeing her.
why the hell are we having another thread on this chick
Yeah man, especially considering the energy coming off of YOUR set, that shit was James Flames and then it got mad mellow.
Still a nice thing for the resume though.
for vicarious living
Absolutely, you hit the nail on the head. You should become some sort of trend forecaster at the record labels.
I've also noticed that "nowadays" (meaning the last 20 to almost 30 years) there has been this trend in music production called "sampling". You should "google" it if you own a "computer". It's been hot with the kids lately.
Also try to "google" the phrase "hip-hop". Some pretty interesting things taking place in music production "nowadays", recent trends the kids are getting into. They have been using "technology" to "sample" pre-existing music in the studio.
fuck you, you dont have any idea of what I am talking about...you are a silly little bitch...
wow, so witty you are Dongless
Haha, come on, E. It was kinda funny...
I was merely disatisfied with how it sounded...I dont need some wannbe smartass telling me that kind of shit...I have an opinion on the music thats it...I dont care for neo RnB singers that are so used to singing OVER tracks and not WITH tracks...do you undterstand that? Do understand rhythm doesnt come from a quanitize button? I dont feel a real groove from the music...folks are used to the metronome perfect samble based soul music today...singing WITH a band is a whole different animal, and I prefer that, just my opinion...now sit down and shut the fuck up.
Pretty big hot/not spectrum as evidenced:
...aaallllrigght wise guy....
I think his point was that it's ass backwards, and a terrific waste, to bring a great live band into a studio if you're going to make them sound like a loop.
Take some Nellie McKay/Lilly Allen songwriting + Lauryn Hill's voice circa 1999 + Mark Ronson meets QSO production = Winehouse and "Back to Black."
That said, it's a fun album, I dig a few tracks a lot, especially "Love is a Losing Game" and "Addicted."
It should be noted - Ronson does half the album. The other half is by Salaam Remi. A good look.
The Dap-Kings played on all the Ronson songs, not sure if they're on the Remi tracks too. And yes, they are touring with her right now but come fall, SHaron Jones and the Dap-Kings have a new album to promote so I'm not sure what Winehouse will do for a backing band at that point.
that's right on the nose. I liked the song but something was bothering me about it- I guess it's because it's as formulaic as you say.
Well, I'm not saying it's formulaic as much as I'm saying that everytime I hear her, I think of someone else. It's like Winehouse is a cipher.
I can say that the hype around her has had its desired effect, even more so than I would have thought: she's become the highest debuting British female artist in American history.