how shoddy is sampling from reissues/comps??
milliondollars
568 Posts
so i listenden to Marchberg again and i finally figured where a specific sample from Thugs Prayer is from. not fronting on Roc Marciano, i really think he is great, it's just hard to believe he holds the OG of that 1000-3000$ psych monster LP.
this is just an example but there are so many new tunes with $1000+ records samples. not telling that it is not possible that some people actually own these records but in many cases it's just very hard to believe...
what are strutters opinions on this?
sampling from reissues: yes or no...
this is just an example but there are so many new tunes with $1000+ records samples. not telling that it is not possible that some people actually own these records but in many cases it's just very hard to believe...
what are strutters opinions on this?
sampling from reissues: yes or no...
Comments
i dont spend anymore then $100 on a single record, if that makes me some toy timmydigalot thats the least of my problems as well...
The fact that the samples aren't from OG sources or the fact that you're still referencing a post I made oh, 5 hours ago?
it's an idealistic question i think...
you can put it that way. which record do you like more? your Boscoe repress or your Boscoe OG? of course the music on it is the same but on the other hand.......it's not!
it's the power of OG, haha!
This makes me want to whole heartedly endorse this pactice.
Nope. I think you need a early 90s ultimate breakbeat critic to help you with that one.
my brain just exploded
"I chopped these drums off of 'Truly Yours' by G Rap" - MF Doom
use what you want to use to achieve the desired final product, but realize there are no rules.
Don't tell that to Pete Rock!!! lol
My $0.02 - who gives a fuck!?!?! Sample 240p youtube rips if you feel the need to.
Better yet, hang out at the recording session and sample from that.
LOL
Whatever mate.
I mean, I'd rather not sample from a CD if I had a choice, but only due to the sound. But who else would know FFS?
Some over-earnest white boy thinking.
And I'm an over-earnest white boy
The kind of old-fashioned horse-sense we could do with a little more of round here, especially lately.
As you point out, there are valid technical reasons for preferring originals over copies, but the people who make the most noise about how sampling non-originals = fakin' the funk are usually concerned only with the object.
Anyway, this all reminds me of a conversation I once had in my younger days as a house DJ. I was playing a particular tune and this guy buttonholes me.
Guy: I've got that on white label, mate.
Me: Yeah? Nice.
Guy: Yeah, I only play stuff on white label. Exclusive, innit.
Me: I suppose so. The music's the same most of the time, though, isn't it?
Guy: Nah, mate, white label's better.
Me: Why? You can't play the label, can you?
Guy: No, but that's not the point...
He proceeded to explain to me, without recourse to empirical evidence of any description, why DJs who only played white labels were better than those who didn't, all the while taking great care not to actually come right out and say that, of course, this made him a better DJ than me, which was decent enough of him, I suppose. The thing I took away from that conversation was a determination to never, ever be that guy who gets obsessively hung up on the nerdiest of record-nerd bullshit.
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well thank you. I spose I should make an introduction thread soon, but prepare to be underwhelmed.
Did the white label DJ guy not even try convince you that white labels had better sound or something? more space between the groves or whatever.
Those 'digger rules' have gone out the window anyway and good thing too. In regards to OP, imagine trying to clon on Marciano's producer for that track because he didn't sample from the OG. Enjoy gripping your grail while he's flipping samples
that's how it works 99% of the time!
Cosign
The lower the sound quality the more people will tune out, especially girls.
It was a very long time ago, but I vaguely remember him saying something about how white labels were "more underground" and that this somehow made the music more underground compared to music that anyone could find out about and/or buy. There's a kind of logic to that, but not of the variety I'd particularly want to stand behind.
please tell me someone used a reissue of take me to the mardi gras for the beatoff? :face_melt:
I was sampling a clean AlphaOmega 12" version with Nautilus on the flip!!! lol my copy of the OG is pretty beat up.
Didn't meet the deadline and I am STILL struggling with a bassline lol. Maybe it's cuz I used the wrong source!!
Did you ask him if his "White Label" was a boot or OG? Virgin vinyl or American recycled? I once had a dude tell me my copy sucked because it didn't have bells...
Personal opinion. Samplewutchalike. If it work, it works. Fuck all that noise.