"T Plays it Cool" Question
fishmongerfunk
4,154 Posts
that's a drum loop right?
so hate get all timmydigalot on the strut but is this the first instance of a "funky" drum loop on a record? what other early examples can be pointed to?
so hate get all timmydigalot on the strut but is this the first instance of a "funky" drum loop on a record? what other early examples can be pointed to?
Comments
Or
The most precise drummer ever.
btw. this robot sounds white.
B/W
Wow...didn't know until just now that Marvin played a fuck load of the instruments on Trouble man...including the drums.
I think his drumming experience is likely one of the reasons his lyrical cadence is so good.
TREVOR LAWRENCE: "Yeah that's - Yes. And if you listen to it closely now, what you'll notice is that it's a loop. The drum - the drum is a drum loop. Now back in '72 there were no samplers. What they did was they took a piece of tape and they had the two track tape machine, and they made that pattern that made a loop like a figure eight around the tip - rim, which I'd never seen before."
or is this a known fact and i??m trippin???
This quote suggests it was a well know, and perhaps not uncommon, production technique by '79.
b/w
That Beatles one is great.
https://en.wikipedia.org/wiki/Xenochrony
"A classic "Xenochrony" piece would be "Rubber Shirt", which is a song on the Sheik Yerbouti album. It takes a drum set part that was added to a song at one tempo. The drummer was instructed to play along with this one particular thing in a certain time signature, eleven-four, and that drum set part was extracted like a little piece of DNA from that master tape and put over here into this little cubicle. And then the bass part, which was designed to play along with another song at another speed, another rate in another time signature, four-four, that was removed from that master tape and put over here, and then the two were sandwiched together. And so the musical result is the result of two musicians, who were never in the same room at the same time, playing at two different rates in two different moods for two different purposes, when blended together, yielding a third result which is musical and synchronizes in a strange way. That's Xenochrony. And I've done that on a number of tracks."
Doing all this with tape and razors is