Any audio of west coast funk or rap before '83 or so?
erewhon
1,123 Posts
It seems like the Egyptian Lover/Wreckin Cru era is pretty well documented, and there are some decent oral histories available covering the late 70/early 80s, but I haven't turned up much in the way of actual audio examples of either a) live hip hop DJ and/or MC routines from the West Coast comparable to Cold Crush Live @ Harlem World and the like, or b) live disco/funk/hiphop DJ mixes (or playlists even) from KDAY, KJLH , KACE from the late 70s/early 80s. Does anything like this actually exist on the internet? I'm realizing I have no sense of what the scene was actually like there before the electro funk thing started happening. I know certain disco/funk/poplock jams must have been west coast favorites just because of what the G-funk era dudes sampled, but I'd love to hear those songs played in context.
Thanks!
Thanks!
Comments
Edit. Also watch the Breakin' 'N' Enterin' doc. from 83.
Although everyone wanted to be like Sugarhill and Kurtis Blow and Treacherous 3, the style really wasn't the same out west, way more as I mentioned electro-freestyle based. But there are a couple of really early disco-rap 12"s out of Oakland, Motorcycle Mike and Steve Walker. Audio for both should be around on youtube.
I don't know of much live video footage that's publicly available. Again, O-Dub might be able to help. As far as clubs, there really weren't a lot of places that played hip-hop the way it was done in NY. I heard of the aforementioned records being played at some venues in Oakland and Emeryviille. I think the SF clubs were not going there but DJ Stef might could also speak to that...
ETA: the disco sound was not really all that popular in the Bay Area (excepting the gay club scene) as far as hip-hop goes, the crossover would be more like funk/R&B and freestyle. It evolved very differently, sonically, than the east coast did.
edit - oops, those are '86-88
This is great!
Timex Social Club/Club Nouveau
Pleasure (Portland OR)
Tower Of Power (not really the same sound but...)
One Way was really big, that doesn't help cause they're a midwest group. Cameo (NYC), The Gap Band (midwest)....
I think the missing link you're looking for is popping & locking, which is native to the Bay Area, goes back to the 60s, and fits a lot better with the kind of straight-ahead funk groove than with the skipping disco rhythm popular with Philly/NYC groups. As far as why people preferred that sound