Curtom vs Philly International
DustedDon
830 Posts
Curtom vs Philly International
they both had an emphasis on the sweeter side of soul but i think most would agree Curtom had more of a funk edge while PIR probably steered deeper into traditional R&B and disco moves, although both labels had their moments in each style.
im not real sure who sold more records or who had bigger inventory. i believe Curtom was official in 68, PIR 71.
i feel like most opinions will swing toward Curtom but a lot of folks were riding for Philly in the PIR thread so im wondering how they stand in comparison.
they both had an emphasis on the sweeter side of soul but i think most would agree Curtom had more of a funk edge while PIR probably steered deeper into traditional R&B and disco moves, although both labels had their moments in each style.
im not real sure who sold more records or who had bigger inventory. i believe Curtom was official in 68, PIR 71.
i feel like most opinions will swing toward Curtom but a lot of folks were riding for Philly in the PIR thread so im wondering how they stand in comparison.
Comments
Curtom was lead by artist, songwriter, producer, guitarist Mayfield, who had an original and distinct style.
PI was lead by producer, songwriters, whose style (I would say) was less distinctive.
Curtom had the more 'organic' sound, emphasizing guitars and congas and more prominent rhythm sections.
PI had a more produced sound emphasizing orchestrations.
I think PI had more hits (I am guessing many more).
PI (I am guessing) had more artists.
For me, Curtis, Hutson, Baby Huey, Donny Hathaway* trump Pendergrass, Sigler, Intruders, O'Jays.... Looking at that sentence I can not endorse it.
Two different labels with two different sounds.
*OK, just one 45 I think, but still associated.
Maybe Sigler.
Not too sure about Billy Paul, who had one foot in jazz (and a definite MOR aura overall).