It's not like trip hop ever really went away, but as the rehashing of the 80s becomes a distant memory, the logical progression moves towards a similar rinsing of the 90s musical forms. Do you think this stuff will actually become big again?
Exhibit a. Emeli Sand??
Comments
Speaking of which... I've been re-listening to a bunch of Long Fin Killie/Bows lately....
:feelin_it:
Yeah I've always been keen to this stuff. I hate the term triphop though. More partial to Blazing Downtempo
here's mix I did some years ago. Let me know if anyone wants a higher quality
I don't think it was ever big in the US.
b/w
Thank, Gawd!
But the musical map is a lot different these days. You could look on the Whinehouse's or Adele's as descendants, or maybe distant relatives, of the genre, and they've crossed the Atlantic pretty successfully.
Have they?
Not to my eyes/ears, but people say I live in a trench.
Adele, who I personally have little interest in, has more recently had pretty good mainstream success in the US (from wiki) "In the US the album ('21') has spent a total of nine weeks at the top of the Billboard 200 to date."
I dont see "proper" Trip Hop having a resergence, but 90s shit ............well see.
loved portishead and i also can still listen to it.
but trip hop was always corny to me then and now. it's default yoga class music to me.
I remember saying to someone in '93 or '94 - whenever it was that "In/Flux" came out - that if James Lavelle could sell Shadow to the kids who listened to Pink Floyd, he'd be laughing all the way to the bank. That's kind of what happened, I reckon.
I do like that Submotion Orchestra vid linked above though, curious to hear more of that.
there will always be a need in the world for muzak.
OOF
Well, I wouldn't know (nor would I care) how Massive Attack were viewed in the US, but they were very much of hip-hop, even if they weren't hip-hop in the strictest sense. They weren't copying anybody, they never tried to be American, and their stuff drew on punk and new wave as much as it did rap and soundboy culture. There was an originality in their approach that was completely absent from the copyists, and so I refuse to hold them responsible for all the lousy trip-hop that came in their wake. That'd be like saying all the crummy bands that copied Sabbath or Zeppelin somehow made Sabbath or Zeppelin crummy bands too, which is just crazy talk.
Horace Andy being on Blue Lines is a nice add, but hardly what made the whole thing. To Doc's point, I wouldn't know where to put it - even today - other than to say it's a terrificly atmospheric and soulful record.
Like dub.
Please see Doc's is of it, even if it is not exactly it comment. We're talking in circles now.
So here I am today capping on them, the miniscule shelf-life of their albums, and anyone who attempts to make them out to be anything grander than a long wait in line at the bank.
I'll stop now though.