Interchangable Stylii / Vinyl Digitizing Setup
highscheme
784 Posts
Can you interchange different Ortofon stylii into a Ortofon cartridge? I am pretty sure this is possible, but is the stylus the only part that contributes to the sound, or will putting certain stylus on a cheaper cartridge limit the sound output etc?
I finally got my Duet and dedicated preamp. I am waiting on a couple OCD audiophile accessories like a record clamp, thick rubber turntable mat, stylus cleaner etc.
Once everything is setup I want to do a cartridge sound file showdown. Ideally, I want to do Shure M44G vs. White Label vs. Night Club Mk II vs. Ortofon Arkiv vs. Stanton Audiophile non DJ type shit.
Anyway, it's too much dough to drop on all those carts for the time being, but I have a white label, and a nightclub mk2. I want to see how an ortofon arkiv sounds since they claim it is made for digitizing vinyl.
I finally got my Duet and dedicated preamp. I am waiting on a couple OCD audiophile accessories like a record clamp, thick rubber turntable mat, stylus cleaner etc.
Once everything is setup I want to do a cartridge sound file showdown. Ideally, I want to do Shure M44G vs. White Label vs. Night Club Mk II vs. Ortofon Arkiv vs. Stanton Audiophile non DJ type shit.
Anyway, it's too much dough to drop on all those carts for the time being, but I have a white label, and a nightclub mk2. I want to see how an ortofon arkiv sounds since they claim it is made for digitizing vinyl.
Comments
I'll make a thread with the WAV files once I get everything setup.
I did a fairly extensive A/B at home on two 1200s running through the same sysytem with these cartridges about 8 months ago.
Can't find the thread, though.
The Ortofons are better if you DJ dance music/12", the White Label is better for everything else.
Ortofon: Higher output, more emphasis on bass drum frequencies. A little more dynamic. Also more vinyl noise and a tad harsher.
White Label: Smoother sound throughout frequency range, tracked 45s and rough pressings better, less vinyl
noise, more listenable (less ear fatigue) for extended home use. Better with acoustic music, Jazz etc also.
While your findings make sense from what I've heard about both, I wonder how non-DJ carts ($100-200 stanton or similar) compare to the White Labels as far as non-club stuff.
I'll make some rips and make a blind test thread. Hopefully, everything will be ready next week.
Duet, Preamp, Mogami XLR Cables, Record Clamp, 1/4" Rubber Technics Mat, Stylus Cleaning Fluid/Brush
I am using all of this together with a stock Technics 1200M3D.
I just need to get 2 fresh record brushes and make some record cleaning fluid. Also I need some new inner/outer sleeves to store the freshly cleaned records in, and some resealable poly-sleeves to store the original covers/innersleeves in
Yeah, the preamp choice came out of that thread that you started back on the old strut. I ended up getting a display model from guitarcenter on ebay for $100. I got the duet new on ebay for $450.
The next thing I am going to do is replace the duet's breakout cable with that 3rd party breakout box. But goddamn it's $100...
I would love to have a VPI vacuum record cleaner, but thats definitely something to save for the future. Going to have to stick with hand cleaning as well as I can for the time being.
I might do the kabusa tonearm mod & the fluid damper at some point too.
Thanks to you and everyone else for the recommendations, opinions, in that old thread.
For what it's worth, the styli on my store's set-up needed replacing - one was sounding pretty worn and I broke the other in a stupid mishap. I decided to take the plunge on the white labels... I needed a quick, local fix so I couldn't wait around for something via mail order or a craiglist steal. B&H had them for $75/ea and Guitar Center matched the price. I'm pretty happy with the decision, the Ortofons sounded good but I'm already noticing a huge difference in the dynamics pretty much along the lines of what you're saying above. (although the Ortofons always tracked really well for me, even better than white labels I'd used on other folks' turntables)
I am curious though, does this sound right to people here?
Should I be expecting to hear more noise from dirty and or worn records than I did from what I considered to be worse quality carts/styli?
Or should I be worried that perhaps I got a bad set?
I checked them out with a magnifying glass and the stylus looked fine.
And with some better condition LPs (my copy of Games Stargazer for instance) they sound outstanding, so I don't think it's a bad electrical connection as that would affect everything I would think.
No, you are correct. This is why audiophile people are such tightwads about getting NM copies of things.
Your old 520K's "muddied" the vinyl noise into the musical output.
One thing I noticed immediately was that the record I played yesterday - with an Ortofon - had slightly more surface noise. This is a good thing, in that the needle is producing a more accurate picture, which is essential for what I do here.
For what it's worth, I've often used less "accurate" needles for home listening - if I have a beater copy of something, I just want to enjoy it, and not obsess about the condition.
At least I know I'm not crazy or don't have to worry about returning the carts.
Maybe this will be the impetus I need to finally splurge on a VPI.