Diplo remix from a few years back wasn't bad at all
I have to agree with you. I always thought it was tastefully done.
The slow build in the beginning, which culminates with him bringing the bassline in at :20 is killer. I found the "middle portion" a bit too sparse but overall, as you note, it's tastefully one.
i was not announcing the winner i thought the gangstarr was too obvious but i should have paid my respects anymore? or i can simply takethismattertothebroken.net
i was not announcing the winner i thought the gangstarr was too obvious but i should have paid my respects anymore? or i can simply takethismattertothebroken.net
Never mind me I was just talking shit. I actually like the Black Milk flip.
Gang Starr kind of owns that record IMO. You can't even make a track with that beat and not immediately sound like Gang Starr. I would be more interested to hear someone really "flip" it - e.g. make it sound different than the orig
Big_Stacks"I don't worry about hittin' power, cause I don't give 'em nuttin' to hit." 4,670 Posts
Too obvious?
Gang Starr kind of owns that record IMO. You can't even make a track with that beat and not immediately sound like Gang Starr. I would be more interested to hear someone really "flip" it - e.g. make it sound different than the orig
Hey Jonny,
Your suggestion for flippin' "California Soul" would be an interesting "Producer 'Strut" battle. I'm sittin' here thinking about going upstairs to the lab and trying it.
Can I just say I find that pop-up that says "BITCHEZ STOP HATiN STUPiD FAGS" to be an intriguing statement given the lack of punctuation. It's like misogynistic + patronizing + anti-homophobic, all in one.
A Like a sound you hear, Bm7 That lingers in your ear, C But you can't forget, D A Bm7 C D From sundown to sun-set, now.
A It's all in the air, Bm7 You hear it everywhere, C No matter what you do, D A Bm7 C It's gonna grab a hold on you. D Am F Cali-fornia soul, E7 California soul.
Bridge 1:
B7 They say the sun comes up, D Every morning now, B7 And if you listen, D Oh so careful-ly.
A Amaj7 The winds that ride, D On the high time, B7 C#7 Whistle in melo-dy.
Chorus 1:
(C#7) And so the people, A Amaj7 Started to sing, F#m7 And that's how the surf, B7 Gave birth un-told, Am F To California soul, A Bm7 C D California soul.
Verse 2:
A When you hear the beat, Bm7 You wanna pat your feet, C And you've got to move, D 'Cos it's really, A Bm7 C D Such a groove.
A Puts a brand new kind, Bm7 Of thinkin' in your mind, C And you can't go wrong, D Cause you're groovin', A Bm7 C All day long. D Am F California soul, E7 California soul.
Bridge 2:
B7 They had the melody, D And the beat, B7 But it still didn't, D Seem com-plete.
A Until they saw two, Amaj7 D Lovers kissin', B7 They knew just, C#7 What was missin'.
Chorus 1:
(C#7) So happy they were, A Amaj7 Rockin' and reelin', F#m7 Because they'd added, B7 That lovin' feeling. Am F To California soul, A Bm7 C D California soul.
Coda:
A Like a sound you hear, Bm7 C D That lingers in your ear.
pcmr
5,591 Posts
Comments
Hells no.
point of reference related? cant see any other reason someone would even consider the blk milk flip better.
damn you are right...and i forgot all about this joint ....blk milk who??
I have to agree with you. I always thought it was tastefully done.
The slow build in the beginning, which culminates with him bringing the bassline in at :20 is killer. I found the "middle portion" a bit too sparse but overall, as you note, it's tastefully one.
this video is mesmerizing
anymore? or i can simply takethismattertothebroken.net
Never mind me I was just talking shit. I actually like the Black Milk flip.
Gang Starr kind of owns that record IMO. You can't even make a track with that beat and not immediately sound like Gang Starr. I would be more interested to hear someone really "flip" it - e.g. make it sound different than the orig
Hey Jonny,
Your suggestion for flippin' "California Soul" would be an interesting "Producer 'Strut" battle. I'm sittin' here thinking about going upstairs to the lab and trying it.
Peace,
Big Stacks from Kakalak
Not the best just "another" version
*CAPO 4th FRET*
(Original Key: C#)
Intro:
A Bm7 C D, A (n.C)
Verse 1:
A
Like a sound you hear,
Bm7
That lingers in your ear,
C
But you can't forget,
D A Bm7 C D
From sundown to sun-set, now.
A
It's all in the air,
Bm7
You hear it everywhere,
C
No matter what you do,
D A Bm7 C
It's gonna grab a hold on you.
D Am F
Cali-fornia soul,
E7
California soul.
Bridge 1:
B7
They say the sun comes up,
D
Every morning now,
B7
And if you listen,
D
Oh so careful-ly.
A Amaj7
The winds that ride,
D
On the high time,
B7 C#7
Whistle in melo-dy.
Chorus 1:
(C#7)
And so the people,
A Amaj7
Started to sing,
F#m7
And that's how the surf,
B7
Gave birth un-told,
Am F
To California soul,
A Bm7 C D
California soul.
Verse 2:
A
When you hear the beat,
Bm7
You wanna pat your feet,
C
And you've got to move,
D
'Cos it's really,
A Bm7 C D
Such a groove.
A
Puts a brand new kind,
Bm7
Of thinkin' in your mind,
C
And you can't go wrong,
D
Cause you're groovin',
A Bm7 C
All day long.
D Am F
California soul,
E7
California soul.
Bridge 2:
B7
They had the melody,
D
And the beat,
B7
But it still didn't,
D
Seem com-plete.
A
Until they saw two,
Amaj7 D
Lovers kissin',
B7
They knew just,
C#7
What was missin'.
Chorus 1:
(C#7)
So happy they were,
A Amaj7
Rockin' and reelin',
F#m7
Because they'd added,
B7
That lovin' feeling.
Am F
To California soul,
A Bm7 C D
California soul.
Coda:
A
Like a sound you hear,
Bm7 C D
That lingers in your ear.
Outro:
A Bm7 C D
(Repeat to Fade)
CHORD DIAGRAMS:
---------------
A Bm7 C D F
EADGBE EADGBE EADGBE EADGBE EADGBE
x02220 x24232 x32010 xx0232 133211
E7 B7 Amaj7 C#7 F#m7
EADGBE EADGBE EADGBE EADGBE EADGBE
020100 021202 x02120 x46464 242222
this says everything i needed to say
yall just being old and nostalgic