Flanged Vocals
dstill808
704 Posts
Listening to a track on the new Time And Space Machine that has the vocals flanged out, and thinking how this technique can be really cool.All time top for me would have to be "Planet Caravan." Hell, it even made "Believe" by Lenny Kravitz half listenable, and I hate that dude.What are your favorites?
Comments
I love that sound too. Next after fuzz it seems like the go-to "psychedelic" effect. Another good example would be "Stop The War Now" by The Temptations.
Brainticket "Cottonwood Hill" would be one of my all-time favorite Leslies, if that counts in this thread.
I think before the flanger was invented, they got that effect by having two tapes playing simultaneously (try it at home - two cassettes on the same deck get the same effect).
Hate to argue Pickwick, but it's well known that The Sab used a Leslie on that tune, and it's unlikely any band with any recording budget would have used that low-budget tape approximation, which can't replicate a lot of the things a Leslie can do.
Leslies were, in fact, all the rage back then, and any half-decent studio would have had one.
I never said you were wrong, I just said that there was another way of doing it.
Probably the earliest way, before the process got more sophisticated.
And I should add - the two tapes would be playing THE SAME SONG simultaneously...
Another good example is "The Letter" by the Arbors. The song is crammed with over-the-top psychedelic effects as it is, and the flanging effect enters the picture at 2:45---
Hello guys,
I will have to go back and listen to try to remember exactly what was done on "Thirteen."
I did sing some BGV parts on it with Chris and Alex, but I don't remember right away what was done technically.
It was definitely NOT an Eventide, as we had not even heard of those yet.
It was one of three things (or a combination):
*Real tape machine flange (we did this a lot then...I would grab the flange of one reel and slow it down, then release it so it would speed back up, sometimes even overshooting to a faster speed, then lather, rinse and repeat...you had to really work to develop a feel for it, whilst listening, of course, to get the right sound).
*Leslie (we had a little black Fender Leslie unit that Isaac Hayes had brought over, and left for us, as well as the big one with the A-100...but I don't recall if we ever put a line input on the big one at that early a date).
*Some little guitar "fake Leslie" box that Alex used on his guitars (as heard on Goodo).
When I get a chance to listen carefully, maybe I can flash back on it...or I can ask JF if he recalls.
Cheers.
But yeah, the Black Sabbath song is run through a Leslie speaker, Pink Floyd often did this to achieve certain vocal effects pre-DSOTM. I know the Beastie Boys have, and of course Money Mark.
I was just listening to the clips on the Lab how is it. Volume 1 is kinda boring.
- spidey
Thanks for the tunes too. That Arbors track is great.
Was just listening to the below track in Good Records yesterday, which fits the bill.