New York Times JayDee Obituary

faux_rillz

http://www.nytimes.com/2006/02/14/arts/music/14dilla.html?_r=1&oref=sloginJames Yancey, Producer Known for Soulful Hip-Hop, Dies at 32[/b] By KELEFA SANNEHPublished: February 14, 2006James Yancey, the innovative and influential hip-hop producer known as J Dilla or Jay Dee, died on Friday at his home in Los Angeles. He was 32.The cause was cardiac arrest, according to his mother, Maureen Yancey. She said he had been suffering from lupus and had recently been hospitalized for pneumonia.Mr. Yancey was celebrated for the beats he made, which tended to be warm and slightly off-kilter. On albums by Common, Erykah Badu, A Tribe Called Quest, D'Angelo and his own group, Slum Village, Mr. Yancey pioneered a subdued, sometimes spaced-out form of hip-hop. His cult of fans stretched around the world (he had an especially devoted following in Europe and Japan), and it included many of his more commercially successful contemporaries. Pharrell Williams, from the Neptunes, once called him his favorite producer, and Common has called him "one of the greatest ever." In addition to his mother he is survived by his father, Beverly Yancey, and by his two daughters: Ja-mya Yancey and Ty-monae Whitlow. Mr. Yancey never married.Mr. Yancey came of age in Detroit's hip-hop scene, and word of his meticulous but casual style soon spread. By 2000, when Slum Village released its breakthrough album, "Fantastic, Vol. 2," he was already in demand as a freelance producer. By then, he was also a member of the loose-knit hip-hop collective known as the Soulquarians, which included D'Angelo, James Poyser and members of the Roots. That year, Mr. Yancey was ubiquitous; his laid-back sound could be heard on CD's by Common, Ms. Badu, D'Angelo, Busta Rhymes, De La Soul and others.But he never quite stormed the pop charts, which seemed to suit him fine. He loved abstract, smudgy bass lines, woozy samples, tricky rhythms that deemphasized backbeats. As a consequence, many of the rappers he worked with were more digressive than declarative; Common's rambling style fit particularly well with Mr. Yancey's leisurely beats.When he moved to Los Angeles, Mr. Yancey teamed up with Stones Throw Records. The label is home to the like-minded producer Madlib; together, the two renamed themselves Jaylib and released a well-regarded album called "Champion Sound." In 2001, he released his debut solo album, "Welcome 2 Detroit" (BBE), and last Tuesday, on his 32nd birthday, he released another one, "Donuts" (Stones Throw)."Donuts" consists of 31 playful little compositions, most of them based on soul samples taken from vinyl records (you can hear the hisses and pops) and almost all shorter than two minutes. The record company issued a brief note about the title: "Easy explanation. Dilla likes donuts." Yesterday his mother managed a chuckle when she confirmed that fact. "I just bought two dozen a week ago," she said.

gambit

http://www.nytimes.com/2006/02/14/arts/music/14dilla.html?_r=1&oref=slogin

James Yancey, Producer Known for Soulful Hip-Hop, Dies at 32[/b]

By KELEFA SANNEH

Published: February 14, 2006

James Yancey, the innovative and influential hip-hop producer known as J Dilla or Jay Dee, died on Friday at his home in Los Angeles. He was 32.

The cause was cardiac arrest, according to his mother, Maureen Yancey. She said he had been suffering from lupus and had recently been hospitalized for pneumonia.

Mr. Yancey was celebrated for the beats he made, which tended to be warm and slightly off-kilter. On albums by Common, Erykah Badu, A Tribe Called Quest, D'Angelo and his own group, Slum Village, Mr. Yancey pioneered a subdued, sometimes spaced-out form of hip-hop.

His cult of fans stretched around the world (he had an especially devoted following in Europe and Japan), and it included many of his more commercially successful contemporaries.

Pharrell Williams, from the Neptunes, once called him his favorite producer, and Common has called him "one of the greatest ever."

In addition to his mother he is survived by his father, Beverly Yancey, and by his two daughters: Ja-mya Yancey and Ty-monae Whitlow. Mr. Yancey never married.

Mr. Yancey came of age in Detroit's hip-hop scene, and word of his meticulous but casual style soon spread. By 2000, when Slum Village released its breakthrough album, "Fantastic, Vol. 2," he was already in demand as a freelance producer. By then, he was also a member of the loose-knit hip-hop collective known as the Soulquarians, which included D'Angelo, James Poyser and members of the Roots. That year, Mr. Yancey was ubiquitous; his laid-back sound could be heard on CD's by Common, Ms. Badu, D'Angelo, Busta Rhymes, De La Soul and others.

But he never quite stormed the pop charts, which seemed to suit him fine. He loved abstract, smudgy bass lines, woozy samples, tricky rhythms that deemphasized backbeats. As a consequence, many of the rappers he worked with were more digressive than declarative; Common's rambling style fit particularly well with Mr. Yancey's leisurely beats.

When he moved to Los Angeles, Mr. Yancey teamed up with Stones Throw Records. The label is home to the like-minded producer Madlib; together, the two renamed themselves Jaylib and released a well-regarded album called "Champion Sound." In 2001, he released his debut solo album, "Welcome 2 Detroit" (BBE), and last Tuesday, on his 32nd birthday, he released another one, "Donuts" (Stones Throw).

"Donuts" consists of 31 playful little compositions, most of them based on soul samples taken from vinyl records (you can hear the hisses and pops) and almost all shorter than two minutes. The record company issued a brief note about the title: "Easy explanation. Dilla likes donuts." Yesterday his mother managed a chuckle when she confirmed that fact. "I just bought two dozen a week ago," she said.

thorough.

And a good look. Props to the NYT. Where's MTV?

white_tea

The part about his mom buying donuts is a perfect way to end the story. It's something sad, yet tangible, that everyone can relate to.

undertheradar

And a good look. Props to the NYT. Where's MTV?

I just saw it on the front page of yahoo.

Guzzo

And a good look. Props to the NYT. Where's MTV?[/b]

Mike_Bell

Where's MTV?[/b]

Are you guys seriously waiting for MTV to do a story/obituary on J-Dilla? They're spending way too much time on stupid ass reality shows.

white_tea

I think I read an MTV obit on Saturday.

anthonypearson

that was really sad

drewnice

Dilla ain't goin' nowhere, in spirit, man! Everything I've listened to that he touched in the last several days sounds just as fresh as when I heard it the first time. I walked around the mall all day on Saturday acting a fool with headphones on bumpin' Ruff Draft, because you have no choice but to feel that sh*t. Long live James Yancey through the music he spent his life making for us to enjoy.

gloom

http://www.mtv.com/news/articles/1524171/20060210/j_dilla.jhtml?headlines=true

Mike_Bell

Ruff Draft

Is this still available? I fucked up years ago by not coppin' this gem.
Co-sign what you said about Dilla, drewn. Dude is legendary.

RIP

MeasureUp

Dude seemed down to earth and really into being creative, rather than worrying about fame. I always enjoy reading about those types of people. RIP.

jaymack

god this is still so hard to accept.

Guzzo

http://www.mtv.com/news/articles/1524171/20060210/j_dilla.jhtml?headlines=true

this is kind of scary

"He spent 2004 working on a variety of albums, including Common's Be, as well as his underground instrumental "beat tapes," but also spent some of the year hospitalized.

"What happened was that the doctor told me that I'd ruptured my kidney from being too busy and being stressed out and not eating right," Dee told Urb magazine in 2004. "He told me that if I'd waited another day, I might not have made it."

"Sometimes that fixation can be a good thing and sometimes it can be bad. There'd be days when I wouldn't eat at all because I'd be in the basement working all day," he said in the interview. "This is definitely my second chance, my wakeup call. I still love the music, but I wouldn't put it first in my life. It's family first, and then everything else."

Big_Chan

god this is still so hard to accept.

True

gravelheadwrap

god this is still so hard to accept.

True

True



Nice article

Sun_Fortune

http://www.nytimes.com/2006/02/14/arts/music/14dilla.html?_r=1&oref=slogin

James Yancey, Producer Known for Soulful Hip-Hop, Dies at 32[/b]

By KELEFA SANNEH

Published: February 14, 2006

James Yancey, the innovative and influential hip-hop producer known as J Dilla or Jay Dee, died on Friday at his home in Los Angeles. He was 32.

The cause was cardiac arrest, according to his mother, Maureen Yancey. She said he had been suffering from lupus and had recently been hospitalized for pneumonia.

Mr. Yancey was celebrated for the beats he made, which tended to be warm and slightly off-kilter. On albums by Common, Erykah Badu, A Tribe Called Quest, D'Angelo and his own group, Slum Village, Mr. Yancey pioneered a subdued, sometimes spaced-out form of hip-hop.

His cult of fans stretched around the world (he had an especially devoted following in Europe and Japan), and it included many of his more commercially successful contemporaries.

Pharrell Williams, from the Neptunes, once called him his favorite producer, and Common has called him "one of the greatest ever."

In addition to his mother he is survived by his father, Beverly Yancey, and by his two daughters: Ja-mya Yancey and Ty-monae Whitlow. Mr. Yancey never married.

Mr. Yancey came of age in Detroit's hip-hop scene, and word of his meticulous but casual style soon spread. By 2000, when Slum Village released its breakthrough album, "Fantastic, Vol. 2," he was already in demand as a freelance producer. By then, he was also a member of the loose-knit hip-hop collective known as the Soulquarians, which included D'Angelo, James Poyser and members of the Roots. That year, Mr. Yancey was ubiquitous; his laid-back sound could be heard on CD's by Common, Ms. Badu, D'Angelo, Busta Rhymes, De La Soul and others.

But he never quite stormed the pop charts, which seemed to suit him fine. He loved abstract, smudgy bass lines, woozy samples, tricky rhythms that deemphasized backbeats. As a consequence, many of the rappers he worked with were more digressive than declarative; Common's rambling style fit particularly well with Mr. Yancey's leisurely beats.

When he moved to Los Angeles, Mr. Yancey teamed up with Stones Throw Records. The label is home to the like-minded producer Madlib; together, the two renamed themselves Jaylib and released a well-regarded album called "Champion Sound." In 2001, he released his debut solo album, "Welcome 2 Detroit" (BBE), and last Tuesday, on his 32nd birthday, he released another one, "Donuts" (Stones Throw).

"Donuts" consists of 31 playful little compositions, most of them based on soul samples taken from vinyl records (you can hear the hisses and pops) and almost all shorter than two minutes. The record company issued a brief note about the title: "Easy explanation. Dilla likes donuts." Yesterday his mother managed a chuckle when she confirmed that fact. "I just bought two dozen a week ago," she said.

WOW, this is a great obit. Is this ODUB? Hip hop dudes never get the obit they deserve, and its great to see one that was written by someone who "knows" something about him.

Aser

WOW, this is a great obit. Is this ODUB?

nope it's kelefa, he's on the left w/ bill adler here...

faux_rillz

WOW, this is a great obit. Is this ODUB?

nope it's kelefa, he's on the left w/ bill adler here...

So O-Dub's real name isn't "Kelefa Sanneh"?

Jonny_Paycheck

WOW, this is a great obit. Is this ODUB?

nope it's kelefa, he's on the left w/ bill adler here...

So O-Dub's real name isn't "Kelefa Sanneh"?

You ain't know?

It is, just like Archaic's real name is R******* and my real name is T****

Oliver is just his government.