this is actually part two of a planned TRILLogy - crunk of the niebelung! - and a dead heat with r kells (where's parts 2 through 5 of "trapped in the closet" already?) for creepilly fascinating and bizzare song cycles.
I can appreciate the fact that they speak unabashedly about topics that are real to them, using speech that is truly free and unhindered by repressive, colonialist morality.
---[sarcasm]Totally from the single liner notes[/sarcasm] ...also in the liner notes are the lyrics which state: "I've got a ten foot pole that will go in your hole, take your soul and make nut come out your nose." Call me Captain Colony Morality Whitey John Smith or whatever the fuck else you want but this is trash...watch porno for christ's sake but no kid should hear this shit cause beatin the pussy up against a girl's will is gonna be the next "thing" to do...
I can appreciate the fact that they speak unabashedly about topics that are real to them, using speech that is truly free and unhindered by repressive, colonialist morality.
---[sarcasm]Totally from the single liner notes[/sarcasm]
...also in the liner notes are the lyrics which state: "I've got a ten foot pole that will go in your hole, take your soul and make nut come out your nose." Call me Captain Colony Morality Whitey John Smith or whatever the fuck else you want but this is trash...watch porno for christ's sake but no kid should hear this shit cause beatin the pussy up against a girl's will is gonna be the next "thing" to do...
to quote the turntablelab review of "wait":
"You either get this or you don???t. And if you don???t, I feel sorry for you. May as well resign yourself to pseudo-profound chicks in pink and black striped leg warmers who would love to spend Saturday night eating at 71 Clinton, watching Million Dollar Baby and having passionless sex. Great. I love that stupid internet kids are like (college nerd voice): ???I can???t believe you guys would listen to a song that promotes violence.??? Shut the fuck up, Timmy. That???s why they make RJD2 records."
im just disapointed. I really dont think this is nearly as good as wait. sounds like a cheap rehash. Funny, people used to say they'd be yelling on every cut and play themselves out. Now it just sounds like they'll be doing this instead.
These guys are so good at yelling though!! get back to that!! TO THE WINDOW!!!...
Nah, this is nowhere near as good as "Wait". This is obviously just an attempt to rehash the formula that they already had success with. But you guys who have a problem with these lyrics, I'm gonna tell you right now- although I'm sure some females are gonna be offended, there's a lot who are gonna like what this song is talking about, too.
Nah, this is nowhere near as good as "Wait". This is obviously just an attempt to rehash the formula that they already had success with. But you guys who have a problem with these lyrics, I'm gonna tell you right now- although I'm sure some females are gonna be offended, there's a lot who are gonna like what this song is talking about, too.
...???I can???t believe you guys would listen to a song that promotes violence.??? Shut the fuck up, Timmy. That???s why they make RJD2 records."
So I can't beat p*$sy up to RJD2? And here I thought I was a straight up thug...
Anyway, I'm speaking from a standpoint of somone who is[/b] "gainfully" employed working with inner-city kids that take this shit as the gospel and ultimately will take advantage of equally ignorant and immature girls...
One comes across as a colonialist when one classifies this type of music as "trash" while being entirely removed from the culture that produces it. I'm not removed...I'm in the thick of its ramifications...not saying music is the only catalyst for this type of behavior, but it certainly doesn't help matters...
So yeah, I am going to impose my moral judgment on these kids on this issue until they are sophisticated enough to apply their d*cks to that corresponding p%$$y that is willing, able, and consenting...nothing wrong with rough sex...just so long as both parties are consenting...
I submit to you that minors, in general, are not sophisticated enough to appreciate this concept whether they are from the inner-city or not...not a colonialist because I unabashedly apply my moral agenda on all children when it comes to consensual sex...
Music can change people for the positive and the negative--especially when they are young and impressionable...
why does the beat hafta to be so low, I think I prefer the Twins' voices semi- drowned out.
yup. the song would be more effective that way as opposed to comedy/corny which is how i'm feeling about it right now on first couple of listens.
i know everyone has their own specific crank - but the "daddy" part is leaving sexy beind at the bus depot going "what the fuck?" and just high-tailing it to creepsville.
not so impressed. Not w/ the beat either. I mean this is NOT a single, I hope. This could be like an album cut I guess towards the end of the record working sort of as a "wait" reprise. This is just a bass line and a distorted "snare". I love simplicity but I think this is just a little to simple. BTW this mp3 quality is crap, but thanks for posting I probably would not get the chance to hear it otherwise.
what i want to know is where have these people who are shocked by these ying yang records been for the last twenty or so years? i know 2 live crew and their ilk got a lot of outside criticism, but i feel all the hate towards these records recently comes directly from within the rap listening "community". is it just a sign of hip hop heads getting to be old fogies?
i mean there are too short records that make this shit sound absolutely tame, no?
i know 2 live crew and their ilk got a lot of outside criticism, but i feel all the hate towards these records recently comes directly from within the rap listening "community".
I don't think the people getting worked up over this listen to much current rap...
i know 2 live crew and their ilk got a lot of outside criticism, but i feel all the hate towards these records recently comes directly from within the rap listening "community".
I don't think the people getting worked up over this listen to much current rap...
But Noz is right. It seems like people that listened to rap back in the day (and judging by their sales ALOT of people bought Nasty as They Wanna Be) tend to forget how many groups already covered this. It's not shocking to me by any means just boring.
what i want to know is where have these people who are shocked by these ying yang records been for the last twenty or so years? i know 2 live crew and their ilk got a lot of outside criticism, but i feel all the hate towards these records recently comes directly from within the rap listening "community". is it just a sign of hip hop heads getting to be old fogies?
i mean there are too short records that make this shit sound absolutely tame, no?
i know 2 live crew and their ilk got a lot of outside criticism, but i feel all the hate towards these records recently comes directly from within the rap listening "community".
I don't think the people getting worked up over this listen to much current rap...
But Noz is right. It seems like people that listened to rap back in the day (and judging by their sales ALOT of people bought Nasty as They Wanna Be) tend to forget how many groups already covered this. It's not shocking to me by any means just boring.
Yeah, I know he's right, I just think that most of the squawking is coming from people that have pretty much turned their back on rap and are no longer actively engaged with it. The phenomenon of people "growing out of rap" seems like the new thing here; ten years ago, rap had only existed in recorded form for ~15 years, which isn't really long enough for people to have gone through the cycle of wholeheartedly embracing and then abandoning it.
Now in 2005 you got a whole generation of poptarts that think they've "outgrown" it.
i know 2 live crew and their ilk got a lot of outside criticism, but i feel all the hate towards these records recently comes directly from within the rap listening "community".
I don't think the people getting worked up over this listen to much current rap...
But Noz is right. It seems like people that listened to rap back in the day (and judging by their sales ALOT of people bought Nasty as They Wanna Be) tend to forget how many groups already covered this. It's not shocking to me by any means just boring.
Yeah, I know he's right, I just think that most of the squawking is coming from people that have pretty much turned their back on rap and are no longer actively engaged with it. The phenomenon of people "growing out of rap" seems like the new thing here; ten years ago, rap had only existed in recorded form for ~15 years, which isn't really long enough for people to have gone through the cycle of wholeheartedly embracing and then abandoning it.
Now in 2005 you got a whole generation of poptarts that think they've "outgrown" it.
i know 2 live crew and their ilk got a lot of outside criticism, but i feel all the hate towards these records recently comes directly from within the rap listening "community".
I don't think the people getting worked up over this listen to much current rap...
But Noz is right. It seems like people that listened to rap back in the day (and judging by their sales ALOT of people bought Nasty as They Wanna Be) tend to forget how many groups already covered this. It's not shocking to me by any means just boring.
Yeah, I know he's right, I just think that most of the squawking is coming from people that have pretty much turned their back on rap and are no longer actively engaged with it. The phenomenon of people "growing out of rap" seems like the new thing here; ten years ago, rap had only existed in recorded form for ~15 years, which isn't really long enough for people to have gone through the cycle of wholeheartedly embracing and then abandoning it.
Now in 2005 you got a whole generation of poptarts that think they've "outgrown" it.
SouthCrackalack
3,853 Posts
Comments
whoever's making these beats is killing it though. this brings it to basic channel levels of minimalism
beat in azz/dj smurf/mr collipark
this is actually part two of a planned TRILLogy - crunk of the niebelung! - and a dead heat with r kells (where's parts 2 through 5 of "trapped in the closet" already?) for creepilly fascinating and bizzare song cycles.
...also in the liner notes are the lyrics which state: "I've got a ten foot pole that will go in your hole, take your soul and make nut come out your nose." Call me Captain Colony Morality Whitey John Smith or whatever the fuck else you want but this is trash...watch porno for christ's sake but no kid should hear this shit cause beatin the pussy up against a girl's will is gonna be the next "thing" to do...
to quote the turntablelab review of "wait":
"You either get this or you don???t. And if you don???t, I feel sorry for you. May as well resign yourself to pseudo-profound chicks in pink and black striped leg warmers who would love to spend Saturday night eating at 71 Clinton, watching Million Dollar Baby and having passionless sex. Great. I love that stupid internet kids are like (college nerd voice): ???I can???t believe you guys would listen to a song that promotes violence.??? Shut the fuck up, Timmy. That???s why they make RJD2 records."
"imma fuck ya til ya eyeballs bleed bitch"
"imma fuck ya til ya lungs fall out your asshole"
"imma fuck ya til ya dial 1-800-COLLECT"
"imma fuck ya til ya say i'm DJ AM "
These guys are so good at yelling though!! get back to that!! TO THE WINDOW!!!...
my money is on trillville.
no doubt
Anybody?
Damn things are slow in Vermont. This was a big discussion on the board, oh, three months ago...
I get my commercial hip-hop from 24/7 MTV Jams on channel 139. No hip-hop radio up here, and college radio is all Def Juxified.
I try my hardest.
and why does the beat hafta to be so low, I think I prefer the Twins' voices semi- drowned out.
isnt that a wesley willis joint???
So I can't beat p*$sy up to RJD2? And here I thought I was a straight up thug...
Anyway, I'm speaking from a standpoint of somone who is[/b] "gainfully" employed working with inner-city kids that take this shit as the gospel and ultimately will take advantage of equally ignorant and immature girls...
One comes across as a colonialist when one classifies this type of music as "trash" while being entirely removed from the culture that produces it.
I'm not removed...I'm in the thick of its ramifications...not saying music is the only catalyst for this type of behavior, but it certainly doesn't help matters...
So yeah, I am going to impose my moral judgment on these kids on this issue until they are sophisticated enough to apply their d*cks to that corresponding p%$$y that is willing, able, and consenting...nothing wrong with rough sex...just so long as both parties are consenting...
I submit to you that minors, in general, are not sophisticated enough to appreciate this concept whether they are from the inner-city or not...not a colonialist because I unabashedly apply my moral agenda on all children when it comes to consensual sex...
Music can change people for the positive and the negative--especially when they are young and impressionable...
yup. the song would be more effective that way as opposed to comedy/corny which is how i'm feeling about it right now on first couple of listens.
i know everyone has their own specific crank - but the "daddy" part is leaving sexy beind at the bus depot going "what the fuck?" and just high-tailing it to creepsville.
Cosign on the rehas / bus stop corny.
And jeah, Anna gets props for making a Blasing Downtempo connexn, like whoa !!!!
It's too early for work this morning, hah. Damn morning rain showers messing up my digs again.
i mean there are too short records that make this shit sound absolutely tame, no?
I don't think the people getting worked up over this listen to much current rap...
But Noz is right. It seems like people that listened to rap back in the day (and judging by their sales ALOT of people bought Nasty as They Wanna Be) tend to forget how many groups already covered this. It's not shocking to me by any means just boring.
Got me pegged....word...
Yeah, I know he's right, I just think that most of the squawking is coming from people that have pretty much turned their back on rap and are no longer actively engaged with it. The phenomenon of people "growing out of rap" seems like the new thing here; ten years ago, rap had only existed in recorded form for ~15 years, which isn't really long enough for people to have gone through the cycle of wholeheartedly embracing and then abandoning it.
Now in 2005 you got a whole generation of poptarts that think they've "outgrown" it.
You used to be a backpacker, just admit it!
I outgrew backpack rap.
I've also heard that it's difficult to find a backpack that will fit comfortably over a 2006 Paul Smith parka.
It can work with the right backpack...