MANCINI vs SCHIFRIN
jjfad027
1,594 Posts
I love works by both of them but if I had to choose I'm rolling with Schifrin.
Comments
LALO all the way!!!!!!!!!!!!!!!!!!!!
;)
I feel the same can be said of Lalo as well. Imagine Mission Impossible, Dirty Harry, and Enter the Dragon without Lalos music. They just wouldn't be the same. It's a tough call. They are/were both awesome.
I like this at +8 in a disco/dance set. The normal speed sounds too slow to me now.
Good soundtrack, and totally under the radar.
I think I found a copy online, we'll see what it turns out I'm downloading. Probably some Ukranian trojan virus.
He might be the greatest detective/spy/suspense guy going.
But he can't touch Mancini when you are talking about songs (Moon River), memorable melodies and romantic themes. Plus he was no slouch when it came to detective/spy/suspense.
Praise also to the aforementioned Quincy Jones. I am also a BIG Bernard Hermann fan. Bernie's music added more to the films he did than any other composer. (IMO). Listen for Hermann's cues next time you watch Taxi Driver.
Or Psycho and Vertigo.
I love the Psycho soundtrack
:killin_it:
A slept-on Mancini gem that can probably be found in dollar bins all over America.
The funny thing is, the tempo, groove and instrumentation on that tune would fit right in with some of the slo-mo disco/cosmic/balearic sets you can hear on this side of the Atlantic. I'd definitely play that in a warm-up set.
I forgot to mention that. Great soundtrack as well as a great film. I absolutely love Lalo and I felt that he was as diverse as Mancini in terms of composing melodies, although he's mostly known for his crime jazz soundtracks like Mission: Impossible and Mannix.
And might I shout-out Michel Legrand?! Another personal favorite of mine.
Nice one. I need to see that flick.
The soundtrack, much like Mancini's work, helped make the movie a better experience. That, and I had a huge crush on Faye Dunaway. I still do, but I used to too.