b, 21they mirror what is going with a lot of people right now; all that streetwear st alfred huf hundred shit. Those guys being one of the first really visible bi-products of that stuff made them really stand out to folks and them being alright with music sealed the deal for 'em.
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b, 21So basically they are male models?
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b, 21That is what is going on with a lot of people right now.
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font class="post"1b, 21b, 21pretty much. i'm not riding for it just giving my two cents. people can relate to their image.
I haven't heard much Cool Kids stuff, But I will definitely ride for the "Dyno with the Black Mags/ Black Mags/ Black Mags" song. b, 21b, 21Basically, if Faux Rillz is trying to hate on it, then you know it has some merit.b, 21b, 21b, 21img src="http://i48.photobucket.com/albums/f244/hemol/whippedfaux.jpg"1
b, 21Yes. What I like about the commercials is that these days huge chain stores are now more culturally interesting than the counter-culture. This is in part because all of the hippie counter-establishment types have infiltrated the establishment. But we are at a great moment, when something as trite and mass produced as the effing Gap is out-culturing the underground. So I celebrate these commercials and all that they stand for.
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font class="post"1b, 21this post is some soulstrut comedy gold - a gift that keeps on giving
b, 212008 saw the emergence of a brash new strain of hipster hop, as an exciting new crop of buppie rappers with indie-rock attitude and old-school swagger made a mark on a stagnant scene. It was a banner year for acts like The Knux, Kidz In The Hall, and especially The Cool Kids, a breakout duo that walked a fine line between charmingly brash and outright obnoxious. The Bake Sale is the most irresistible blast of muscular hip-hop minimalism this side of Clipse's Hell Hath No Fury, though the Chicago duo was less concerned with documenting the drug game than bringing back the spirit of '88. (Rabin)
b, 212008 saw the emergence of a brash new strain of hipster hop, as an exciting new crop of buppie rappers with indie-rock attitude and old-school swagger made a mark on a stagnant scene. It was a banner year for acts like The Knux, Kidz In The Hall, and especially The Cool Kids, a breakout duo that walked a fine line between charmingly brash and outright obnoxious. The Bake Sale is the most irresistible blast of muscular hip-hop minimalism this side of Clipse's Hell Hath No Fury, though the Chicago duo was less concerned with documenting the drug game than bringing back the spirit of '88. (Rabin)
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font class="post"1b, 21b, 21someone should assassinate this writer.b, 21b, 21(too soon?)
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