brothers johnson vs Graham central station
kala
3,361 Posts
sorry i had to go there.....
as a follow up to the war vs mandrill thread
it's a tough call
major label mid 70'a funk par excellence
i remain undecided but lean towards GCS
turbo gospel thrash moves with white space suit moves
vs
smooth ass quincy propped dashiki moves
as a follow up to the war vs mandrill thread
it's a tough call
major label mid 70'a funk par excellence
i remain undecided but lean towards GCS
turbo gospel thrash moves with white space suit moves
vs
smooth ass quincy propped dashiki moves
Comments
Bros. Johnsons Quincy Production > GCS production
GSC is a darker/murkier Funk that can Rock the fuck out when it had to.
BJ > GSC in the Love/Smooth Funk category...but GSC is more Pimp.
BJ better Disco(read club funk) Funk but GSC better Str8 Dance Funk Funk.
GCS retained their "Psychedelic" edge up until Larry went dolo.
Bass vs Bass??????
Agree. Loved Larry G when he was with Sly, but GCS never worked as a band for me.
I'd take the 12" of Strawberry Letter over the whole GCS catalog.
This. A bunch of Brothers Johnson 12"s were among my first digging finds - I still play them and Looking Out For #1 is also a really solid album but can't remember the last time I pulled out any GCS. Great concept, the music less so.
+1 for Bro Jo.
Louis also played on Off The Wall AND Thriller. THEEE MACK of Old Skool Slap. So fonkay.
Plus I heard Larry G is batshit cray with the Jo Ho Biz...
And that's why I prefer GCS over the Brothers Johnson.
The first Johnsons album, Lookin' Out For #1, was excellent funk, but they smoothed out fairly quickly. They had their moments, but for every undisputed classic like "Strawberry Letter 23" there were quite a few cheesy discotheque moves.
The Brothers Johnson's "Stomp" DOES NOT live up to its' name. GCS's "Earthquake" sure as hell does.
GSC is way more Gutbucket.
Its something about the dirty drum machine shit that gets me, along with Grahams Bass that wasnt all warm n shit.
I'm not saying they weren't disco-friendly, but they still let their rough edges hang out. By that time, most funk bands who weren't P-Funk or the Isleys were usually compromised by disco or jazz-fusion in some way. In the meantime, the GCS crew were still playing blazing funk with a rock edge, with Graham playing bass like it was the lead instrument.
If Sly Stone still had his shit together by the mid-seventies, he might have sounded like Graham Central Station.