Programming music for fancy bars/restaurants question

Sweet JamesSweet James 5 Posts
edited November 2012 in Strut Central
I actually post here with a different name, but i feel kinda embarrassed asking this for some reason.

Recently i was asked to provide the music for a fancy cocktail bar that an old friend was opening and i spent a few months thinking about it, followed by a month or so of ripping old records and gathering music for their ipod. I went down a jazz/funk/soul kinda tip with some folky stuff thrown in and the odd rock record here and there depending on what time of day it is for. It went down really well and he wants me to keep updating it, which i hadn't really expected.

Now three other venues have heard about it and also want me to do this for them.

So i am kind of stuck at what to charge for something like this, what price do you put on your music taste and experience?

Has anybody else done anything similar to this and is there a set price for this service? I have honestly never given it any thought before, since i make money from djing, promoting and, like, a normal job.

Also, i don't really want to see this place go, as musically i can't think of many places where i could ask this question to the kind of people who buy/collect the same kind of music as me, and therefore can see this from my perspective.

Thanks

  Comments


  • batmonbatmon 27,574 Posts
    How much time does it take to assemble the music and transfer it?

    50 songs 100 songs 300 songs?

  • Well this is it really, i have been slowly digitising my record collection since 2006, but i mainly covered the more psych/prog/bubblegum end to begin with as i had just been through many years of mangling my funk related records at hip hop gigs and was kinda over them at that point.

    Because the first person who asked me to do this was such a good friend i spent a month ripping, compiling and organising. So now i have a few hard drives full of very organised music (for me at least)

    For the first place i reckon they now have a rotating playlist of around 3,500 songs, split into playlists for time of day, weekdays, weekends, how busy it is etc...

    The first venue i had a meeting with after this wanted to me to suggest how to change the music as they currently blast about 200 60s soul and northern soul classics all day, so i suggested starting them out on a mixture of different soul music and a few playlists totalling about 500 songs all in all.

    It takes barely any time to actually install the music in venues as i just tell them what to set up for my arrival, and i reckon it will take me less time to actually assemble the music. My current problem being that i am simply unable to stop myself from thinking "oooh that 7" would be perfect for this playlist!" and then having to source it and record it.


    So to answer your question...
    I'm gonna give myself 5 hours of prep time for smaller jobs like this, maybe 30 minutes to install it and 10 minutes to explain what the self explanatory playlistsare. That is if i am going to tailor it to each venue, which seems to be what people want.

    The actual preparation of it is so fucking tedious and dull i really dread it, but i am really attracted to the idea of being able to include forgotten gems into the ears of people unawares. For the first one i compiled i consulted a lot of djs and clubbers around my area, going right back to the 60s and asked about the songs that were big club hits, or that i should just know about that have been left out of history over the years.

    If i am being honest with myself though, i suspect that the reason that i am being asked to do this is because people just consume music in a completely different way these days and are less likely to seek out new music. I remember working in a bar in the 90s and being sent to buy some interesting new music to play during the day, i can't see people really doing that these days.

    I digress

    It seems to be a service that people charge between $15-30 per month for, which even if i did a tonne of venues doesn't really seem worth my time, unless i just made up a bunch of generic playlists. But even in my current jaded state, i couldn't bring myself to do that.

  • batmonbatmon 27,574 Posts
    How often do u have to go and "upgrade" the playlist?

    Imma say $500.

  • Either once a month, or once every two months.

    One place offered me $250 a month straight off the bat to do it.

  • DelayDelay 4,530 Posts
    Sweet James said:
    Either once a month, or once every two months.

    One place offered me $250 a month straight off the bat to do it.
    I'd say thats pretty good.

  • Use $250 as a baseline. As with any freelance venture, factor is friend discounts, good customer discounts, and PIA fees (discourage assholes by gouging them, making it more tolerable to deal with them). Sounds like a fun gig, I'd love to put together something like this.

  • JectWonJectWon (@_@) 1,654 Posts
    $250 a month sounds good to me. And I think it'll get easier as you streamline your process; that naturally seems to happen as you do something more and more.

    You struck fucking gold, man. Run with it. And, congratulations.

    EDIT: I don't know how, but it seems like the RIAA could totally shit on this amazing thing you have going on...so you might want to cover your ass on that, as well.

  • FrankFrank 2,373 Posts
    I supplied Keith McNally with a load of CDRs containing an hour of music each when he opened up Pastis back in the late 90s and I charged $100 per CD. That was 15 years ago so today I'd probably ask for $150 to $180 per hour of programming.

  • billbradleybillbradley You want BBQ sauce? Get the fuck out of my house. 2,905 Posts
    JectWon said:
    $250 a month sounds good to me. And I think it'll get easier as you streamline your process; that naturally seems to happen as you do something more and more.

    You struck fucking gold, man. Run with it. And, congratulations.

    EDIT: I don't know how, but it seems like the RIAA could totally shit on this amazing thing you have going on...so you might want to cover your ass on that, as well.

    Does the restaurant have an ASCAP license? Although I'm not sure if that will really cover you with MP3s.

  • FlomotionFlomotion 2,391 Posts
    JectWon said:
    $250 a month sounds good to me. And I think it'll get easier as you streamline your process; that naturally seems to happen as you do something more and more.

    You struck fucking gold, man. Run with it. And, congratulations.

    EDIT: I don't know how, but it seems like the RIAA could totally shit on this amazing thing you have going on...so you might want to cover your ass on that, as well.

    Nice one. Have a friend who did this for bars and restaurants in West London and probably still does for all I know...anyway, he charged a flat monthly cost plus a premium based on the capacity of the venue.

  • DocMcCoyDocMcCoy "Go and laugh in your own country!" 5,917 Posts
    I'd echo what others have said about ASCAP/BMI/RIAA/whoever. It won't hurt to do a little research into what your obligations and liabilities as a service provider might be, as well as those of the venues to whom you're providing the service. It could be nothing more complicated than making sure they've got a valid public performance/broadcast license, and supplying ASCAP/BMI/RIAA/whoever with the program details upon request.

    In the UK, any venue or place of business where music is broadcast or performed is expected to have a license from the appropriate performing rights organisation, and I'd imagine that's true in the US also. It shouldn't be difficult to arrange, and it certainly wouldn't be your responsibility to arrange it in the normal order of things. But it might end up cramping your style a little if the venues you're servicing don't happen to have the proper paperwork.

    It sounds like something of a dream gig, and it could maybe lead in some interesting directions - music supervision, programming music for events, all kinds of things. Good luck.

  • JectWonJectWon (@_@) 1,654 Posts
    DocMcCoy said:
    I'd echo what others have said about ASCAP/BMI/RIAA/whoever. It won't hurt to do a little research into what your obligations and liabilities as a service provider might be, as well as those of the venues to whom you're providing the service. It could be nothing more complicated than making sure they've got a valid public performance/broadcast license, and supplying ASCAP/BMI/RIAA/whoever with the program details upon request.

    By the way, don't look at the legal threat as a bad thing. Doing your homework and then walking the customer through getting "legit" with ASCAP/RIAA/etc. could be part of your services something that justifies whatever price you ultimately charge them.

    You could build yourself a pretty nifty lil operation, man. Keep us informed, for sure.

  • batmonbatmon 27,574 Posts
    How much would one charge if you had to either bring you records to dj or bring your laptop to play music for 7 hours?

  • JectWonJectWon (@_@) 1,654 Posts
    batmon said:
    How much would one charge if you had to either bring you records to dj or bring your laptop to play music for 7 hours?

    I think that's different, though. He's hooking them up with a tangible collection of music that they can use as much as they'd like. Not a temporary event where they have nothing in hand after the set is over.

    EDIT: Typos

  • batmonbatmon 27,574 Posts
    JectWon said:
    batmon said:
    How much would one charge if you had to either bring you records to dj or bring your laptop to play music for 7 hours?

    I think that's different, though. He's hooking them up with a tangible collection of music that they can use as much as they'd like. Not a temporary event where they have nothing in hand after the set is over.

    EDIT: Typos

    Im sayin that if u make X amount on one night playing music vs. they have music ALL Month to rock.

    One night vs 30 nights. Your sound designing a space.

  • JectWonJectWon (@_@) 1,654 Posts
    batmon said:
    JectWon said:
    batmon said:
    How much would one charge if you had to either bring you records to dj or bring your laptop to play music for 7 hours?

    I think that's different, though. He's hooking them up with a tangible collection of music that they can use as much as they'd like. Not a temporary event where they have nothing in hand after the set is over.

    EDIT: Typos

    Im sayin that if u make X amount on one night playing music vs. they have music ALL Month to rock.

    One night vs 30 nights. Your sound designing a space.

    Ahh got it...my bad. Yeah, it's a good point.

  • JectWonJectWon (@_@) 1,654 Posts
    Got'dayum double poast...

  • Yeah, i would charge more than $250 for playing 7 hours, that is for sure, but i know that some people are happily paid $80 for the same.

    So far it would all be relatively fun as well, one venue wants a mixture of 70s soul and (weirdly) freestyle and 80s R&B.

    I know that three of the places are fine to play music in, from a legal perspective and i am currently looking into the steps i am going to have to take to make this feasible.

    It is made tough by the fact that i know most of the owners personally, so i am just worried that charging them a fair price for what is effectively a boutique service might offend them.

    I can keep you posted though, if you like and thanks for all the feedback. I feel a lot less in the dark about it all.

  • batmonbatmon 27,574 Posts
    U coan also ask them if what your doing has enhanced the space. Are customers responding? Are staff members feelin it?
    Have you made more money because the atmosphere is better and you not playing the waitresses' bad ipod mix done by her ex-boyfriend 5 years ago.

    I think it would be different if you were just drpppin off some songs, but if the request which sounds like sound/atmosphere maintenance then its become a little more than " make me a tape" type shit.

    Freestyle while in eating = PAUSE.

  • From what i can gather the staff of the venue i have supplied this service for already are very happy with it. The girls like the soul music and the fact they rarely hear the same music repeating over and over again, i made a 50s rock and rockabilly playlist for one of the bar tenders that he seems to really like, two of the other members of staff listen to heavy music (Deerhunter and metal etc) so i don't think i can appease them too much (one of them likes Johnny Cash and Lee Hazlewood, so i can work with that)

    Customers have also commented that it is nice to hear more interesting music in the venue, according to the owner at least.

    Hard to tell whether it has made a big difference as i programmed the music for the opening of the actual venue itself, but they have been fully booked out since opening, the tips have been crazy and the customers are exactly the right kind of people that this place was pitched at.

    it is definitely more on the sound/atmosphere maintenance tip, as you say.

  • batmonbatmon 27,574 Posts
    Sweet James said:
    they have been fully booked out since opening.

    :balla:
Sign In or Register to comment.