Stax Vs. Motown
Mike_Bell
5,736 Posts
My vote goes to Stax. Why? Maybe because I found more breaks/samples on Stax than on the Motown label. Let's build....
Comments
I agree. This label continually surprises me.
With all due respect to all the hip-hop producers on this board, buying a Stax record ONLY for breakbeats is like going to a five-star restaurant just to take a shit***. Al Jackson and Willie Hall were incredible drummers, true, and I realize that some folks have to look at everything from the hip-hop perspective, but come on, people!!
With that out of the way...I enjoy both equally, but I lean in the Stax direction because oldies radio hasn't worked them to death like they did with Motown.
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***apologies to the Soul Strutter who used this analogy first - I think it was in a thread about the Jackson 5
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Guess that means you'll vote for Stax, then?
I've traded and sold a few of my Stax releases since I didn't like them that much.
Cosign. STAX for dayyyysssssssssss..........
...and Stax never put out anything like "People, Hold On"
BTW although I have been jocking Motown through this whole post, I am an all-out Stax junkie, so don't get it twisted. I just think the comparison is unfair, because Motown has like 7x the releases to choose from. Compare Stax to Mala/Bell/Amy or something, and let's really get down to it.
Only because Stax went out of business in 1975 and Motown is still with us.
If you compare both labels based on what they did between 1960-75, both Stax and Motown were pretty much on an even level.
Now that'd REALLY be unfair, 'cause in the 70's Bell damn near stopped releasing black music altogether.
Well, a quick check of the discogs at BSN shows me over 450 LP's[/b] released by Motown/Tamla/Soul/Gordy/Rare Earth/VIP from 1961-1975 - and that leaves 5 years of CTI, Black Voice, and around 10 other labels unaccounted for.
1962-1975 for Stax/Volt/Enterprise, even throwing in the ATCO distributed stuff like Arthur Conley, Otis' "Pain In My Heart," etc, only gets me to just shy of 200 LP's[/b].
That shows my "7x" figure to be more than a bit of hyperbole, but still I think my point stands. Stax was big, but Motown was massive.
Personally, I like them both pretty much the same, which is alot.
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stax
stax
but i do enjoy enjoy me some motown and atlantic....
i dig Motown, but something about the early surfy sounding soul (booker, mar-keys, the truimphs) and the soul doo-wop vocal group stuff (the del-rios, chips, drapels) hits a soft spot for me.
i do have to say though, some of the people who ripped off (AKA, were influenced by) the Motown sound, have put out some of my favorite soul cuts.
nonetheless,
stax it is.
g
stax has a gang of 45s and even though the boxes hipped alot of cats, that doesn't mean the 45s aren't out there for the getting.
I think most people automatically think 'Supremes' & 'Dancing in the Streets' when they hear the word 'Motown' - on a funk&braeks-oriented forum it's only understandable that most votes would go towards Stax.
Personally, I get bored hearing the generic chord changes & horn voicings that Stax relied on so heavily, sure Motown records are often over-arranged & too-busy, but at least they were always trying something different. The psychedelic-soul era was esp fruitful for Motown.
In terms of oldies radio I'd say that 'Soulfinger', 'Soul Man', 'Hold on I'm Coming' & 'Dock of the Bay' are at least as overplayed as 'Where Did Our Love Go?', 'Tracks of My Tears' etc.
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As has been pointed out, Motown was broader and deeper. Gaye and Wonder and Whitfield did far more as artists and producers than any Stax artist or producer.
Smokey and Gordy and Holland Dozier Holland were far more sophisticated songwriters than anyone at Stax.
Stax I think is more comparable to Duke. A smaller pool of musicians and writers and artists than Motown. Stax and Duke had a stronger Southern blues foundation than Motown. Motown is more urban sophisticate.
Dan
This man could be the only artist ever to record for Stax and I would still go with Stax.
Can anyone think of another artist that recorded for both labels besides this lady?
my taste is for the post-what's goin on-motown, although I love stax too