There's an amazingly beautiful 30-second melodic interlude buried in the middle of either side 2 or side 3.
Bits of Beethoven were incorporated into the piece - "Eroica," for instance.
And I mentioned the 8-track because Reed said it was meant to be played as a continuous loop. Shades of La Monte Young and the Dreamhouse, but on speed.
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Bits of Beethoven were incorporated into the piece - "Eroica," for instance.
And I mentioned the 8-track because Reed said it was meant to be played as a continuous loop. Shades of La Monte Young and the Dreamhouse, but on speed.
Also a plus. RCA had it coming.