I gotta go with Grant...he never played chords, aside for simple vamps during his funky stuff...but in the early 60s Blue Note stuff he stuck out because he played it like a horn and never got redundant...he jammed his ass off just as hard as any horn player.
I like Wes, but the chunky, too-rich chord stuff can sound a little overbearing and boring to me sometimes. I dig his Riverside stuff the best.
as i am in st.louis i may be partial to a hometown product like grant green.that said they are both equals in my book.wes was king of the 5ths while grant was lord of the single string "churchy" runs. doesn't get much better than "Sookie Sookie" and "Mellow Mood" w jimmy&wes;.
Please include the very alive & well Kenny Burrell! I did a concert with him here maybe 5 years ago & he still has it-close to 60 years of playing-RESPECT!
^^Solid was the first Grant Green album I ever bought around '95. Great stuff.
I Wish Grant had been more influential, unfortunately Jazz heads scorned his style. Melvin Sparks comes closest I think. If I'm not mistaken GG only picked in one direction, which really influenced his phrasing and made him totally unique. If there are any really proficient guitarists on the board I'd love your take on his sound. Love the man to death, he along with Curtis and Gil S H, is one of the few artists I buy anything I find.
i prefer grant green's records but i have no doubt that wes was the superior player in terms of chops, technique and influence on other players...
Montgomery had the chops but Green had the MUSIC, so I'm going with Green.
I started to say that this was my soul/blues bias talking, but then it hit me that Montgomery was loved in soul/blues circles himself. Nevertheless, even on the earlier records, before he went "pop" on those Creed Taylor productions, Montgomery never moved me like Green does.
I love some of the early Wes records, but he never made anything as deep as Street Of Dreams, Green Street, Idle Moments or the quartet sessions w/ Sonny Clark.
As far as his sound, it was largely the product of using the thickest strings he could get and an extra stiff pick (ayo) as well as maxing the mids on his amp.
Also, Green was hugely influential in his prime (early to mid 60's) ask George Benson. But his approach was so singular that it was hard for other guitarists to incorporate without being totally derivative.
I love some of the early Wes records, but he never made anything as deep as Street Of Dreams, Green Street, Idle Moments or the quartet sessions w/ Sonny Clark.
As far as his sound, it was largely the product of using the thickest strings he could get and an extra stiff pick (ayo) as well as maxing the mids on his amp.
Yeah, in his bio it said his sound came from a Gibson amp with the highs and lows completely cut out and the mid jacked all the way up.
Also, Green was hugely influential in his prime (early to mid 60's) ask George Benson.
i thought GB was an avowed WM disciple...not saying GG didn't influence him but GB worshipped at the allter of WM.
He usually lists Django as his main influence, followed by Hank Garland. Benson actually met Wes Montgomery for the first time when both went to a Grant Green gig and each admitted that they were there to pick up some chops.
never heard this, fantastic. Imagine seeing that shit live? Too bad Sonny OD'd at 31, dude could swing.
The 2CD set of the Grant Green/Sonny Clark Quartets is one of the best Jazz CD sets I own - I've listened to it on repeat several times in the last few months.
Comments
I like Wes, but the chunky, too-rich chord stuff can sound a little overbearing and boring to me sometimes. I dig his Riverside stuff the best.
In this case, I prefer the green apple.
Although I get the impression that if you posed this question on a jazz message board, Montgomery would come out in the lead.
Although I get the impression that if you posed this question on a jazz message board, Montgomery would come out in the lead.
Montgomery was more original? Innovative?
He came up with a style that changed the direction of jazz guitar.
My impression of Grant is that he brought jazz melodic and harmonic ideas to a blues style of playing...
Think I would rather listen to Green, but I wont stop listening to Montgomery.
I Wish Grant had been more influential, unfortunately Jazz heads scorned his style. Melvin Sparks comes closest I think. If I'm not mistaken GG only picked in one direction, which really influenced his phrasing and made him totally unique. If there are any really proficient guitarists on the board I'd love your take on his sound. Love the man to death, he along with Curtis and Gil S H, is one of the few artists I buy anything I find.
Montgomery had the chops but Green had the MUSIC, so I'm going with Green.
I started to say that this was my soul/blues bias talking, but then it hit me that Montgomery was loved in soul/blues circles himself. Nevertheless, even on the earlier records, before he went "pop" on those Creed Taylor productions, Montgomery never moved me like Green does.
As far as his sound, it was largely the product of using the thickest strings he could get and an extra stiff pick (ayo) as well as maxing the mids on his amp.
Also, Green was hugely influential in his prime (early to mid 60's) ask George Benson. But his approach was so singular that it was hard for other guitarists to incorporate without being totally derivative.
Yeah, in his bio it said his sound came from a Gibson amp with the highs and lows completely cut out and the mid jacked all the way up.
i thought GB was an avowed WM disciple...not saying GG didn't influence him but GB worshipped at the allter of WM.
He usually lists Django as his main influence, followed by Hank Garland. Benson actually met Wes Montgomery for the first time when both went to a Grant Green gig and each admitted that they were there to pick up some chops.
never heard this, fantastic. Imagine seeing that shit live? Too bad Sonny OD'd at 31, dude could swing.
He hits the notes hard, which sounds like down picks, but some of those runs must have downupdownup.
That's what I hear.
The 2CD set of the Grant Green/Sonny Clark Quartets is one of the best Jazz CD sets I own - I've listened to it on repeat several times in the last few months.
http://www.amazon.com/Complete-Quartets-With-Sonny-Clark/dp/B000005H9T