some vinyl news

upskibooupskiboo 2,396 Posts
edited May 2006 in Strut Central
The Vinyl Comeback --------------------------------------------------------------------------------Back in the groove 14 May 2006 BESET by digital piracy and increasing customer reluctance to pay for CDs, the music industry is fighting back with its latest technology ??? black vinyl records. Music labels and high street retailers are busy turning back the industry???s clock to a time not only before internet song downloads, but also before CDs or even audio cassettes. The irony is that the vinyl revolution is being led by teenage consumers who are prepared to stand in line for the latest 45 rpm single or 331/3rpm LP (long-playing record) in much the same way that their parents, or in some cases their grandparents, did. According to Rob Campkin, the head of Music at Virgin Megastores, vinyl is now outselling CDs when it comes to the latest records. ???Up to 70% of sales of new releases are vinyl. The fans of popular new rock bands like Arctic Monkeys and The Raconteurs prefer vinyl to CD,??? said Campkin. ???When the Raconteurs??? latest single was released, 80% of high-street sales were for seven-inch vinyl and only 20% were for CDs.??? ???We are not just talking about vinyl singles but also about albums ??? the format is just continuing to grow,??? said HMV spokesman Gennaro Castaldo. The trend is born out by figures from record industry body, the British Phonographic Industry (BPI). According to the BPI???s findings, vinyl records are a technology that has come back from the brink of extinction to take the industry by storm. Between 2001 and 2005, annual sales of vinyl single in the UK rose sixfold to over 1m, accounting for 14.7% of all physical singles sales in 2005, up from 12.2% in 2004. The industry expects vinyl figures for the current year to be even more dramatic. The vinyl revolution has caught many of the big music labels napping. It is the smaller independent labels who have been able to snap up successful new bands. This has left big players in the industry, such as EMI, scratching their heads and wondering why teenagers are embracing a technology the music industry had dismissed as outdated and obsolete before most of them were born. Record labels like EMI are finding themselves losing the next generation of music stars to upstart labels like Domino Records, which handles hit bands Franz Ferdinand and Arctic Monkeys, and Rough Trade, which handles The Strokes and rock music???s latest human disaster area, Pete Doherty. According to Virgin???s Campkin, the smaller independents have one key advantage over the larger labels as far as the artists are concerned. ???The independent labels will release material on vinyl where the more established are more reluctant to do this,??? said Campkin. One reason for this situation is believed to be that the mainstream music industry has forsaken vinyl to the extent that there is now no big vinyl processing plant in the UK. This means that the discs must be pressed offshore and that a large number of new vinyl recordings are limited editions that quickly become collectors??? items. This type of operation, where limited pressings are carried out by factories in other countries, is better suited to the independent labels than to the more established players. Virgin also reports a trend where fans will buy the CD when it is released and will wait weeks or months until the vinyl release before buying that as well. Some vinyl albums, such as the last White Stripes release, continue to sell consistently for months. In addition to the new releases, retailers Virgin and HMV report a growing demand for classic pop records on vinyl from artists such as The Rolling Stones and Bob Dylan. Market research has shown that these new releases of older material are often being bought by younger customers, just as older ???baby boomers??? are increasingly augmenting their collections with LPs from modern artists such as the White Stripes. ???The original baby boomers, who are now in their fifties, are not only buying classic pop records by the Beatles or the Stones but are also adding new artists from the independent labels to their collections,??? said HMV???s Castaldo. According to Virgin???s Campkin, one major reason for the renewed popularity of vinyl is its collectability, which operates on two levels. On one level, collectability means seeing the value of a 99 pence (E1.43, $1.73) single CD increases 50-fold in a single year. ???The first 7-inch single release from Arctic Monkeys, which came out a year ago, is now selling on eBay for ??50-??60,??? said Campkin. He added that the second sort of collectability is the desire to own a record collection of one???s own. ???Vinyl is far more iconic in this respect,??? said Campkin. ???The record sleeve offers the consumer art work as well as information about the performers and song lyrics.??? Some well-known music figures believe that the industry did itself irreparable damage when it switched to CDs 20 years ago. Roger Daltrey, lead singer of 1960s supergroup The Who, said in a recent interview: ???The record labels sold everybody a white elephant with the CD. They pushed it over as being this wonderful musical formula that you can play forever that sounds better and is scratch proof. None of it was true; CDs do not sound as good as vinyl and they last for five minutes.??? Like other artists of his generation, Daltrey believes that pop music generally sounds better on vinyl as so much of it was originally developed to be played on the vinyl format rather than on digital equipment. Vinyl enthusiasts say that the bass and vocals on most songs cannot be accurately reproduced on a compressed digital format and that the music inevitably loses something by being reduced to what is essentially just a binary computer code. Daltrey also believes that record sleeves are a key part of the attraction of vinyl. ???We threw away an art form that was so much more than the record,??? said Daltrey. ???The size of the cover was perfect for art work. Sometimes the covers were more important than the music. The more fingerprints you got on it, the more it was a part of you. With a CD, you start with a nice plastic box and end with a scratched plastic box; it has no character whatsoever.??? Campkin said: ???I think the record sleeve is paramount. With a vinyl album you feel you have spent ??10-??15 on something tangible that will last.??? Daltrey also believes that it was the switch to CDs that ultimately led to the music labels??? horrendous problems with digital music piracy. ???The problem with the CD is that if you can copy what is on it for nothing, as you now can, why would you want to buy it???? Music retailers such as Virgin and HMV are also coming to the conclusion that consumers want a return to a more tangible format. They fear that the logical conclusion to the evolution of digital music is a world without high street music retailers where fans do everything over the internet and download all their music via a PC. Virgin plans to opens a new 25,000 square-foot Virgin Megastore in Manchester???s Arndale shopping centre that it hopes will transform the way consumers perceive record stores. More space than ever will be dedicated to vinyl records and customers will have access to turntable and listening booths in the same way that teenagers did in the 1950s and 1960s. The store will also offer ???chill-out??? areas with armchairs and sofas where customers can relax and listen to music. Virgin plans to use the same formula in other stores in the hope that it will be able to persuade teenagers to see the megastores as social venues as much as music shops. The company hopes that the strategy will enable it to offer consumers enough added value to head of
f growing competition from cut-price supermarket CD offers and internet download services. The music retailers do not believe that vinyl will ever entirely replace digital music formats. Instead, they predict that the same fans will often subscribe to both formats by downloading music for their MP3 players and PCs but will also wait for the vinyl release to add that to their permanent record collections. Virgin believes that digital music downloads may not be as big a phenomenon as some the industry anticipates and will account for no more than 10% of the overall market by 2009 and that the appeal of vinyl will continue to grow to shoppers who want to take home something tangible and lasting. Those industry players which do not become part of the vinyl revolution will see their market share decline as smaller nimbler players snap up the new artists and establish brand loyalty with an increasingly vinyl-hungry record buying public.

  Comments


  • FatbackFatback 6,746 Posts
    from?

  • upskibooupskiboo 2,396 Posts
    from?
    a friend of mine whos into freestyle stuff send me the link:

    http://newyorkfreestyle.com/freestyle/showthread.php?t=492

  • FatbackFatback 6,746 Posts
    from?
    a friend of mine whos into freestyle stuff send me the link:

    here it is...

    http://www.thebusinessonline.com/business_brief/

    i'm just curious who's covering this kind of stuff.

    thanks for posting this.

  • sticky_dojahsticky_dojah New York City. 2,136 Posts
    The above is an accurate description of the Renaissance of the 7inch in the "Indierock" market, which is (mostly) a British thing. While I apreciate that and also understand that classic albums from the beatles and robert marley jr. sell again (prolly as ugly 180 gram issues), I doubt there will ever be a big

    vinyl-hungry record buying public.

    again. People are just stupid. And who needs the newest Major Rap song on vinyl? But I'd love to see it if it happens. People carrying portables in 2015 and everyone has their singles with them going like "Oh, your IPOD X is so 2000ish"...


  • FatbackFatback 6,746 Posts
    This has left big players in the industry, such as EMI, scratching their heads and wondering why teenagers are embracing a technology the music industry had dismissed as outdated and obsolete before most of them were born.

    Duh. These are the same kids who are paying $40+ for "vintage" t-shirts.

  • sticky_dojahsticky_dojah New York City. 2,136 Posts
    This has left big players in the industry, such as EMI, scratching their heads and wondering why teenagers are embracing a technology the music industry had dismissed as outdated and obsolete before most of them were born.

    Duh. These are the same kids who are paying $40+ for "vintage" t-shirts.

    ???The first 7-inch single release from Arctic Monkeys, which came out a year ago, is now selling on eBay for ??50-??60,??? said Campkin.

  • FatbackFatback 6,746 Posts
    on a related note:

    Jon Stewart with the Numark portable.
    http://www.comedycentral.com/shows/the_daily_show/videos/most_recent/index.jhtml
    click on the "right guard" video

    I'm such a fucking dork. I yelled out to Ms Fatso when this came on, "Hey, come look...he has my portable!"




  • nzshadownzshadow 5,518 Posts
    This has left big players in the industry, such as EMI, scratching their heads and wondering why teenagers are embracing a technology the music industry had dismissed as outdated and obsolete before most of them were born.

    Duh. These are the same kids who are paying $40+ for "vintage" t-shirts.

    These motherfuckers come along, ruin creativity, hawk their fucking boybands, talk in 'units', regard product endorsement as the peak of an 'artists' career, sell MTV(empty-V) Mc-culture the world over, destroy entire genres with their formulaic output, put more thought into stereotypical videos and stylists than into the music then they wonder why kids today are feening for originality and realness.



    SMFH

  • FatbackFatback 6,746 Posts

    ???The original baby boomers, who are now in their fifties, are onot nly buying classic pop records by the Beatles or the Stones



    $700

    http://store.acousticsounds.com/browse_detail.cfm?Title_ID=29729??ion=music

  • CousinLarryCousinLarry 4,618 Posts
    on a related note:

    Jon Stewart with the Numark portable.
    http://www.comedycentral.com/shows/the_daily_show/videos/most_recent/index.jhtml
    click on the "right guard" video

    I'm such a fucking dork. I yelled out to Ms Fatso when this came on, "Hey, come look...he has my portable!"




    I noticed this too, but I did not point it out to the Mrs. because I have a Vestax.

  • bull_oxbull_ox 5,056 Posts

    That is fucking incredible, wow. If I were insanely wealthy I would cop.

  • soulmarcosasoulmarcosa 4,296 Posts
    The Vinyl Comeback

    --------------------------------------------------------------------------------

    Back in the groove

    There was a piece on BBC World Service radio yesterday that pretty much said the same thing, again, focusing more on the current increased production of vinyl by rock acts and their collectability aspect.

  • FatbackFatback 6,746 Posts
    on a related note:

    Jon Stewart with the Numark portable.
    http://www.comedycentral.com/shows/the_daily_show/videos/most_recent/index.jhtml
    click on the "right guard" video

    I'm such a fucking dork. I yelled out to Ms Fatso when this came on, "Hey, come look...he has my portable!"




    I noticed this too, but I did not point it out to the Mrs. because I have a Vestax.

    Even dorkier.

  • JLRJLR 3,835 Posts
    new vinyl releases made from the same digital transfers used in the CD pressings make no sense AT ALL.

    A VINYL LP MADE FROM A DIGITAL SOURCE IS LIKE JESSICA ALBA WITHOUT THE ASS

  • crossingscrossings 946 Posts

    These motherfuckers come along, ruin creativity, hawk their fucking boybands, talk in 'units', regard product endorsement as the peak of an 'artists' career, sell MTV(empty-V) Mc-culture the world over, destroy entire genres with their formulaic output, put more thought into stereotypical videos and stylists than into the music then they wonder why kids today are feening for originality and realness.

    ...couldn't have said it better myself.

  • bull_oxbull_ox 5,056 Posts
    A VINYL LP MADE FROM A DIGITAL SOURCE IS LIKE JESSICA ALBA WITHOUT THE ASS

    Alba's got an ass???
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