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</font1<blockquote><font class="small">Quote:</font1<h,121<b,121</font1<blockquote><font class="small">Quote:</font1<h,121<b,121</font1<blockquote><font class="small">Quote:</font1<h,121<b,121In fact, I can only enjoy it if it's playing on the original masters run through an og tape machine, <b,121<b,121<h,121</blockquote><font class="post"1<b,121<b,121I can only enjoy it if the original session players perform the album note for note live for me in an acoustically perfect studio. <b,121<b,121<h,121</blockquote><font class="post"1<b,121<b,121In fact, I have changed my mind, as these reconstructions of the original soundwaves aren't <em>quite</em> OG enough.<b,121Now, I will only listen to re-interpretations of said music made by 1 year olds uninfluenced by the rigid dogma of accepted musical norms, playing atonal, arhythmic and amodal improvisations using 'found' instruments such as pans, cupboard doors and wooden spoons.<b,121<b,121<b,121<b,121<b,121<b,121<b,121<b,121<b,121<b,121Oh wait, that's 'Ornette Colman Live'. <b,121<b,121<h,121</blockquote><font class="post"1<b,121<b,121 <img src="/ubbthreads/images/graemlins/oj.gif" alt="" 21
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